{"id":{"repo_id":"wvu","oai_identifier":"oai:researchrepository.wvu.edu:etd-1746"},"canonical_url":"https://search.dev.ndltd.org/etd/wvu/oai:researchrepository.wvu.edu:etd-1746","repository":{"repo_id":"wvu","name":"West Virginia University","base_url":"https://researchrepository.wvu.edu/do/oai/"},"display":{"title":"Carnivalized narratives in the postmodern long poem","abstract":"As a decidedly American tradition, the long poem has become the premier literary endeavor for poets in the twentieth-century. Writers such as T. S. Eliot, Ezra Pound, and William Carlos Williams have pursued the long poem, but under the auspices of the \"modern epic.\" Three postmodern long poems---Kenneth Koch's Seasons on Earth, Edward Dom's Gunslinger, and James Merrill's The Changing Light at Sandover---illustrate a dramatic rupture with the texts of modernism by introducing comic situations and multi-voiced narration---situations described by Mikhail Bakhtin as \"dialogism\" and \"carnival,\" receptively---into the canon of American long poems. These innovations allow the postmodern long poem to evolve past the thematic and aesthetic strictures imposed by the texts of modernism.","abstract_html":"As a decidedly American tradition, the long poem has become the premier literary endeavor for poets in the twentieth-century. Writers such as T. S. Eliot, Ezra Pound, and William Carlos Williams have pursued the long poem, but under the auspices of the &quot;modern epic.&quot; Three postmodern long poems---Kenneth Koch&#x27;s Seasons on Earth, Edward Dom&#x27;s Gunslinger, and James Merrill&#x27;s The Changing Light at Sandover---illustrate a dramatic rupture with the texts of modernism by introducing comic situations and multi-voiced narration---situations described by Mikhail Bakhtin as &quot;dialogism&quot; and &quot;carnival,&quot; receptively---into the canon of American long poems. These innovations allow the postmodern long poem to evolve past the thematic and aesthetic strictures imposed by the texts of modernism.","abstract_has_math":false,"creators":["Moffett, Joe Wade"],"institution":null,"degree_name":"MA","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Brian McHale","Patrica DeMarco","James Harms"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-08-01T07:00:00Z","date_published":"2000-08-01T07:00:00Z","updated_at":"2026-07-24T06:14:53Z","subjects":["American literature","Modern literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://researchrepository.wvu.edu/etd/743"],"render_values":[{"text":"https://researchrepository.wvu.edu/etd/743","href":"https://researchrepository.wvu.edu/etd/743","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.33915/etd.743","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Brian McHale","Patrica DeMarco","James Harms"]},{"key":"dc:creator","label":"Author","values":["Moffett, Joe Wade"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-01-17T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American literature","Modern literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.33915/etd.743","https://researchrepository.wvu.edu/etd/743"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["As a decidedly American tradition, the long poem has become the premier literary endeavor for poets in the twentieth-century. Writers such as T. S. Eliot, Ezra Pound, and William Carlos Williams have pursued the long poem, but under the auspices of the \"modern epic.\" Three postmodern long poems---Kenneth Koch's Seasons on Earth, Edward Dom's Gunslinger, and James Merrill's The Changing Light at Sandover---illustrate a dramatic rupture with the texts of modernism by introducing comic situations and multi-voiced narration---situations described by Mikhail Bakhtin as \"dialogism\" and \"carnival,\" receptively---into the canon of American long poems. These innovations allow the postmodern long poem to evolve past the thematic and aesthetic strictures imposed by the texts of modernism."]},{"key":"dc:title","label":"Title","values":["Carnivalized narratives in the postmodern long poem"]}]}],"canonical_facts":{"dc:contributor":["Brian McHale","Patrica DeMarco","James Harms"],"dc:creator":["Moffett, Joe Wade"],"dc:date.available":["2019-01-17T08:00:00Z"],"dc:description.abstract":["As a decidedly American tradition, the long poem has become the premier literary endeavor for poets in the twentieth-century. Writers such as T. S. 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These innovations allow the postmodern long poem to evolve past the thematic and aesthetic strictures imposed by the texts of modernism."],"dc:identifier":["https://doi.org/10.33915/etd.743","https://researchrepository.wvu.edu/etd/743"],"dc:subject":["American literature","Modern literature"],"dc:title":["Carnivalized narratives in the postmodern long poem"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["MA"]},"updated_at":"2026-07-24T06:14:53Z"}