{"id":{"repo_id":"wvu","oai_identifier":"oai:researchrepository.wvu.edu:etd-1728"},"canonical_url":"https://search.dev.ndltd.org/etd/wvu/oai:researchrepository.wvu.edu:etd-1728","repository":{"repo_id":"wvu","name":"West Virginia University","base_url":"https://researchrepository.wvu.edu/do/oai/"},"display":{"title":"From the Vestibule","abstract":"In the tradition of uncomplicated prose of Hemingway and Carver, these seven stories deal with topics such as fame, passivity, and relationships. The title of this collection refers not only to the alienating nature of fame, but also to the more mundane stasis of characters like Carol in \"Free Delivery\" and Katherine from \"Nothing to Say.\" The characters are both male and female, and the point-of-view of the stories alternates between first-person and third-person narration. The arrangement of the stories is deliberate, intended to accentuate both the differences and similarities between each of the pieces, and some stories are strategically placed in order to shed the most light on stories with corresponding themes.","abstract_html":"In the tradition of uncomplicated prose of Hemingway and Carver, these seven stories deal with topics such as fame, passivity, and relationships. The title of this collection refers not only to the alienating nature of fame, but also to the more mundane stasis of characters like Carol in "Free Delivery" and Katherine from "Nothing to Say." The characters are both male and female, and the point-of-view of the stories alternates between first-person and third-person narration. The arrangement of the stories is deliberate, intended to accentuate both the differences and similarities between each of the pieces, and some stories are strategically placed in order to shed the most light on stories with corresponding themes.","abstract_has_math":false,"creators":["Hill, James Tate"],"institution":null,"degree_name":"MA","degree_level":"MFA Creative Writing Thesis (Campus Access)","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Gail Galloway Adams.","James Harms","Devon McNamara"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-05-01T07:00:00Z","date_published":"2000-05-01T07:00:00Z","updated_at":"2026-07-24T06:14:53Z","subjects":["American literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://researchrepository.wvu.edu/etd/725"],"render_values":[{"text":"https://researchrepository.wvu.edu/etd/725","href":"https://researchrepository.wvu.edu/etd/725","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.33915/etd.725","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Gail Galloway Adams.","James Harms","Devon McNamara"]},{"key":"dc:creator","label":"Author","values":["Hill, James Tate"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-01-17T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["MFA Creative Writing Thesis (Campus Access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.33915/etd.725","https://researchrepository.wvu.edu/etd/725"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In the tradition of uncomplicated prose of Hemingway and Carver, these seven stories deal with topics such as fame, passivity, and relationships. The title of this collection refers not only to the alienating nature of fame, but also to the more mundane stasis of characters like Carol in \"Free Delivery\" and Katherine from \"Nothing to Say.\" The characters are both male and female, and the point-of-view of the stories alternates between first-person and third-person narration. The arrangement of the stories is deliberate, intended to accentuate both the differences and similarities between each of the pieces, and some stories are strategically placed in order to shed the most light on stories with corresponding themes."]},{"key":"dc:title","label":"Title","values":["From the Vestibule"]}]}],"canonical_facts":{"dc:contributor":["Gail Galloway Adams.","James Harms","Devon McNamara"],"dc:creator":["Hill, James Tate"],"dc:date.available":["2019-01-17T08:00:00Z"],"dc:description.abstract":["In the tradition of uncomplicated prose of Hemingway and Carver, these seven stories deal with topics such as fame, passivity, and relationships. The title of this collection refers not only to the alienating nature of fame, but also to the more mundane stasis of characters like Carol in \"Free Delivery\" and Katherine from \"Nothing to Say.\" The characters are both male and female, and the point-of-view of the stories alternates between first-person and third-person narration. The arrangement of the stories is deliberate, intended to accentuate both the differences and similarities between each of the pieces, and some stories are strategically placed in order to shed the most light on stories with corresponding themes."],"dc:identifier":["https://doi.org/10.33915/etd.725","https://researchrepository.wvu.edu/etd/725"],"dc:subject":["American literature"],"dc:title":["From the Vestibule"],"thesis:degree_discipline":["English"],"thesis:degree_level":["MFA Creative Writing Thesis (Campus Access)"],"thesis:degree_name":["MA"]},"updated_at":"2026-07-24T06:14:53Z"}