Abstract
dc:description.abstract<p>My artistic practice is about change itself. I am inspired by the doubling and layering effects that came out of Surrealist Photography. Scale, fracture, and doubling are intentional components of my process. I combine those methods to create complex works of art, focusing on the untamable light that I hope to capture when making my images, which often are self portraits. Poetry is an integral element of this thesis text as well as my art making process. Through my poetic work I hope to offer my audience a glimpse into how I see and experience the world. This thesis text takes readers on a journey through several key elements of my practice: from the importance of chance in how I make photographs, to my use of scalar confusion, to the role of fracture and fragment, and finally, to my focus on doubling effects.</p>
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts (MFA) in Visual Art
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Graduate School of Art
- Year dc:date.available
- 2025
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Berger, Sam
- Contributors dc:contributor
-
- Patricia Olynyk
- Meghan Kirkwood
Subjects
dc:subject × 7Rights
- Language dc:language
- English
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://openscholarship.wustl.edu/mfa_visual_art/28
- OAI identifier oai:identifier
- oai:openscholarship.wustl.edu:mfa_visual_art-1030