{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:mfa_visual_art-1029"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:mfa_visual_art-1029","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"Uncanny Bodies","abstract":"<p>In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.</p>","abstract_html":"&lt;p&gt;In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.&lt;/p&gt;","abstract_has_math":false,"creators":["Neu, Samantha"],"institution":null,"degree_name":"Master of Fine Arts (MFA) in Visual Art","degree_level":"Thesis","degree_discipline":"Graduate School of Art","degree_department":null,"school":null,"contributors":["Arny Nadler","Heather Bennett","Patricia Olynyk"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-08-15T07:00:00Z","date_published":"2024-08-15T07:00:00Z","updated_at":"2026-07-24T06:12:17Z","subjects":["Art and Design","Book and Paper","Ceramic Arts","Interdisciplinary Arts and Media","Painting","Printmaking","Sculpture"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://openscholarship.wustl.edu/mfa_visual_art/27","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Arny Nadler","Heather Bennett","Patricia Olynyk"]},{"key":"dc:creator","label":"Author","values":["Neu, Samantha"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-05-13T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Graduate School of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (MFA) in Visual Art"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art and Design","Book and Paper","Ceramic Arts","Interdisciplinary Arts and Media","Painting","Printmaking","Sculpture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/mfa_visual_art/27"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. 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