{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:mfa_visual_art-1015"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:mfa_visual_art-1015","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"THE VOICE OF ONE CRYING IN THE WILDERNESS","abstract":"<p>I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on people’s lives.</p> <p>The journey of divesting oneself of Christian patriarchy is one full of rage, grief, and ultimately laced with hope. I do not do this work alone; my co-conspirators are Christian women who stand to challenge and encourage. We testify together, in photographs and texts, to anyone who is willing to hear our message. We do this through <em>The Women’s Chapel</em>, an incarnational space enacted through the sharing of testimony in this community of people who have been deeply hurt by evangelical spaces but who have not given up on the Divine despite that hurt. <em>The Women’s Chapel</em> shows up as both the experiences and stories shared in our group and in artifacts of that sharing. It is a gift of love for anyone who is willing to come and see.</p>","abstract_html":"&lt;p&gt;I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on people’s lives.&lt;/p&gt; &lt;p&gt;The journey of divesting oneself of Christian patriarchy is one full of rage, grief, and ultimately laced with hope. I do not do this work alone; my co-conspirators are Christian women who stand to challenge and encourage. We testify together, in photographs and texts, to anyone who is willing to hear our message. We do this through &lt;em&gt;The Women’s Chapel&lt;/em&gt;, an incarnational space enacted through the sharing of testimony in this community of people who have been deeply hurt by evangelical spaces but who have not given up on the Divine despite that hurt. &lt;em&gt;The Women’s Chapel&lt;/em&gt; shows up as both the experiences and stories shared in our group and in artifacts of that sharing. It is a gift of love for anyone who is willing to come and see.&lt;/p&gt;","abstract_has_math":false,"creators":["Kenyon, Megan"],"institution":null,"degree_name":"Master of Fine Arts (MFA) in Visual Art","degree_level":"Thesis","degree_discipline":"Graduate School of Art","degree_department":null,"school":null,"contributors":["Monika Weiss","Lisa Bulawsky","Marie Griffith"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05-10T07:00:00Z","date_published":"2023-05-10T07:00:00Z","updated_at":"2026-07-24T06:12:25Z","subjects":["Christianity","Christian Art","Church","Religion","Feminist","Feminism","Feminist Art","Patriarchy","American Culture","Contemporary Art","Socially Engaged Practice","American Popular Culture","American Studies","Art and Design","Art Practice","Arts and Humanities","Biblical Studies","Book and Paper","Christian Denominations and Sects","Feminist, Gender, and Sexuality Studies","History of Christianity","Interdisciplinary Arts and Media","Liturgy and Worship","Other American Studies","Photography","Practical Theology","Women's Studies"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/d5da-3p75"],"render_values":[{"text":"https://doi.org/10.7936/d5da-3p75","href":"https://doi.org/10.7936/d5da-3p75","code":true}]}]},"links":{"outbound_url":"https://openscholarship.wustl.edu/mfa_visual_art/14","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Monika Weiss","Lisa Bulawsky","Marie Griffith"]},{"key":"dc:creator","label":"Author","values":["Kenyon, Megan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-05-10T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Graduate School of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (MFA) in Visual Art"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Christianity","Christian Art","Church","Religion","Feminist","Feminism","Feminist Art","Patriarchy","American Culture","Contemporary Art","Socially Engaged Practice","American Popular Culture","American Studies","Art and Design","Art Practice","Arts and Humanities","Biblical Studies","Book and Paper","Christian Denominations and Sects","Feminist, Gender, and Sexuality Studies","History of Christianity","Interdisciplinary Arts and Media","Liturgy and Worship","Other American Studies","Photography","Practical Theology","Women's Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/mfa_visual_art/14"]},{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/d5da-3p75"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on people’s lives.</p> <p>The journey of divesting oneself of Christian patriarchy is one full of rage, grief, and ultimately laced with hope. I do not do this work alone; my co-conspirators are Christian women who stand to challenge and encourage. We testify together, in photographs and texts, to anyone who is willing to hear our message. We do this through <em>The Women’s Chapel</em>, an incarnational space enacted through the sharing of testimony in this community of people who have been deeply hurt by evangelical spaces but who have not given up on the Divine despite that hurt. <em>The Women’s Chapel</em> shows up as both the experiences and stories shared in our group and in artifacts of that sharing. It is a gift of love for anyone who is willing to come and see.</p>"]},{"key":"dc:title","label":"Title","values":["THE VOICE OF ONE CRYING IN THE WILDERNESS"]}]}],"canonical_facts":{"dc:contributor":["Monika Weiss","Lisa Bulawsky","Marie Griffith"],"dc:creator":["Kenyon, Megan"],"dc:date.available":["2023-05-10T07:00:00Z"],"dc:description.abstract":["<p>I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on people’s lives.</p> <p>The journey of divesting oneself of Christian patriarchy is one full of rage, grief, and ultimately laced with hope. I do not do this work alone; my co-conspirators are Christian women who stand to challenge and encourage. We testify together, in photographs and texts, to anyone who is willing to hear our message. We do this through <em>The Women’s Chapel</em>, an incarnational space enacted through the sharing of testimony in this community of people who have been deeply hurt by evangelical spaces but who have not given up on the Divine despite that hurt. <em>The Women’s Chapel</em> shows up as both the experiences and stories shared in our group and in artifacts of that sharing. It is a gift of love for anyone who is willing to come and see.</p>"],"dc:identifier":["https://openscholarship.wustl.edu/mfa_visual_art/14"],"dc:identifier.doi":["https://doi.org/10.7936/d5da-3p75"],"dc:language":["English"],"dc:subject":["Christianity","Christian Art","Church","Religion","Feminist","Feminism","Feminist Art","Patriarchy","American Culture","Contemporary Art","Socially Engaged Practice","American Popular Culture","American Studies","Art and Design","Art Practice","Arts and Humanities","Biblical Studies","Book and Paper","Christian Denominations and Sects","Feminist, Gender, and Sexuality Studies","History of Christianity","Interdisciplinary Arts and Media","Liturgy and Worship","Other American Studies","Photography","Practical Theology","Women's Studies"],"dc:title":["THE VOICE OF ONE CRYING IN THE WILDERNESS"],"thesis:degree_discipline":["Graduate School of Art"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts (MFA) in Visual Art"]},"updated_at":"2026-07-24T06:12:25Z"}