Abstract
dc:description.abstract<p>A constant is something that I consider to be present in everything I make. Each overarching constant is a clue which may help the reader come to a conclusion about why I make sculpture. I will address repetitive motion in regard to failure and how this parallels the ongoing endeavors of the alchemist. I will discuss the idea of meaning as it exists in the conflict between cleanliness and the mess. I will explain how Hollywood movie tropes can be used to create sculpture. Lastly, I will frame the theatrical vessel as a vehicle to make a story more significant than it is. The entourage of constants acts as a common thread in a body of work that is meant to be difficult to understand. This thesis is an in-depth look into the never ending mess that is contained in an art practice.</p>
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts (MFA) in Visual Art
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Graduate School of Art
- Year dc:date.available
- 2022
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Lammert, Martin
- Contributors dc:contributor
-
- Jack Risley
- Brandon Anschultz
- Heather Bennett
Subjects
dc:subject × 11Rights
- Language dc:language
- English
Identifiers
dc:identifier.*- OAI identifier oai:identifier
- oai:openscholarship.wustl.edu:mfa_visual_art-1006