{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:mfa_illustration-1052"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:mfa_illustration-1052","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics","abstract":"<p><strong>In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work. </strong></p>","abstract_html":"&lt;p&gt;&lt;strong&gt;In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work. &lt;/strong&gt;&lt;/p&gt;","abstract_has_math":false,"creators":["Sengupta, Manimanjari"],"institution":null,"degree_name":"Master of Fine Arts (MFA) in Illustration & Visual Culture","degree_level":"Thesis","degree_discipline":"Graduate School of Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-05-07T07:00:00Z","date_published":"2025-05-07T07:00:00Z","updated_at":"2026-07-24T06:12:17Z","subjects":["Comics","Memory","Trauma","Child Sexual Abuse","Sexual Violence","survivors","testimony","rape culture","India","alternative jurisdiction","Art and Design","Fine Arts"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://openscholarship.wustl.edu/mfa_illustration/48","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Sengupta, Manimanjari"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2025-05-12T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Graduate School of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (MFA) in Illustration & Visual Culture"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Comics","Memory","Trauma","Child Sexual Abuse","Sexual Violence","survivors","testimony","rape culture","India","alternative jurisdiction","Art and Design","Fine Arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/mfa_illustration/48"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p><strong>In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work. </strong></p>"]},{"key":"dc:title","label":"Title","values":["Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics"]}]}],"canonical_facts":{"dc:creator":["Sengupta, Manimanjari"],"dc:date.available":["2025-05-12T07:00:00Z"],"dc:description.abstract":["<p><strong>In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work. </strong></p>"],"dc:identifier":["https://openscholarship.wustl.edu/mfa_illustration/48"],"dc:language":["English"],"dc:subject":["Comics","Memory","Trauma","Child Sexual Abuse","Sexual Violence","survivors","testimony","rape culture","India","alternative jurisdiction","Art and Design","Fine Arts"],"dc:title":["Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics"],"thesis:degree_discipline":["Graduate School of Art"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts (MFA) in Illustration & Visual Culture"]},"updated_at":"2026-07-24T06:12:17Z"}