Back to results

Washington University in St. Louis

Graveyard Shifts: Unearthing Identity Myths and the Retro Rebrand

Abstract

dc:description.abstract

<p>This essay examines a trend in brand identity at the time of writing wherein icons of several decades past are resurrected to play to nostalgic feelings associated with a product or service. It begins with a case study of iconography for popular pizza chain logos through several decades alongside definitions of advertising models employed at the time, concluding with the axioms of cultural branding theory. The next section will reexamine the terminology alongside Roland Barthes writing on mythology as a language of semiotics passed through time. The text will then go on to draw parallels between the American fascination with the Wild West in advertising campaigns, with corporations taking on the role of mythmakers to elevate their founders as heroes. The final section of the paper illustrates how these ideas came together in the logo and visual development for Corporal Cythe’s, a fictional funeral parlor turned burger joint represented by an octopus selling mysterious nuggets to children. The corporation’s visual representation evolves through time, although the original intent for the location is never truly gone. </p>

Degree

thesis:*
Name thesis:degree_name
Master of Fine Arts (MFA) in Illustration & Visual Culture
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Graduate School of Art
Year dc:date.available
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Puno, Rebecca

Subjects

dc:subject × 1

Rights

Language dc:language
English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:openscholarship.wustl.edu:mfa_illustration-1037

Chain of custody

source
Harvested from
Washington University in St. Louis
Base URL
openscholarship.wustl.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Puno, Rebecca. Graveyard Shifts: Unearthing Identity Myths and the Retro Rebrand. Thesis thesis, 2024. https://openscholarship.wustl.edu/mfa_illustration/34