Abstract
dc:description.abstract<p>A pedestrian, an international traveler, and a bored-out-of-his-mind bus commuter take note of their surroundings. What do they notice? What do they find? Why does it matter? With these questions in mind, I take three works as my traveling companions: Robert Weaver’s <em>A Pedestrian View: The Vogelman Diary</em> (2012), Weng Pixin’s “Argentina Diaries” (2020), and Peter Arkle’s <em>Dreaming on the 349</em> (2023).</p> <p>This essay places these works in conversation with ideas of space/place (Yi-Fu Tuan), slow looking (Shari Tishman), and mapping artistic practice (Anne West). Ultimately, this essay considers how illustrated works wander through and wayfind meaning in sequences of everyday experience. In particular, I am interested in the ways in which image and text might ramble (move or talk seemingly without set destination) alongside each other in purposeful ambiguity. As Rebecca Solnit states, it is in the “indeterminacy of a ramble” that there “much is to be discovered.”</p>
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts (MFA) in Illustration & Visual Culture
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Graduate School of Art
- Year dc:date.available
- 2024
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Fleming, Charlotte
Subjects
dc:subject × 10Rights
- Language dc:language
- English
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://openscholarship.wustl.edu/mfa_illustration/32
- OAI identifier oai:identifier
- oai:openscholarship.wustl.edu:mfa_illustration-1034