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Washington University in St. Louis

Necessary Myths

Abstract

dc:description.abstract

<p id="x-x-docs-internal-guid-8d2cc371-7fff-813d-a31e-9dfb29234b27">My thesis essay was inspired by my search for a belief system that could transform despair over what will be lost through climate change into valuing what we still have. In researching the earliest iterations of belief structures, I came across the Maros-Pangkep cave paintings. These paintings are the oldest known works of art, and by my interpretation the first evidence of religious life. They are a series of representational paintings which tell a story, and I was inspired to emulate this methodology in my own exploration of belief.</p> <p>My essay investigates the relationship between images and religion. Through W.J.T Mitchell’s image framework of idol, fetish and totem, and Joseph Campbell’s work in archetypes and mono-mythology, I explore the history of the image-religion relationship through the philosophical concepts they share. In categorizing them I attempt to parse out the role each has had in shaping the course of history and our world today, and what categories might best serve us under the looming threat of climate change.</p> <p>I apply these findings in my thesis project, a triptych of representational paintings depicting the course of a feast. My feast is depicted in three stages; from carefully laid out, then brutally torn apart, to decomposing. These three paintings are positioned in a pyramid, encircled by a yellow ribbon which guides the viewer to read the triptych as a cycle. I reference several cycles/trios in my thesis, most obviously the life-death-resurrection cycle. I intended each of the three to represent one of the categories of images, idol, fetish and totem. My final and most personal intention in using this cyclical symbolism was as an expression of my own journey towards what Joseph Campbell describes as “an experience of being alive”. My experience of which is a life-death cycle as well, something that can only be experienced acutely at times because of its absence at others.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Fine Arts (MFA) in Illustration & Visual Culture
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Graduate School of Art
Year dc:date.available
2022

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ramsey, Jessica

Subjects

dc:subject × 7

Rights

Language dc:language
English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:openscholarship.wustl.edu:mfa_illustration-1013

Chain of custody

source
Harvested from
Washington University in St. Louis
Base URL
openscholarship.wustl.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Ramsey, Jessica. Necessary Myths. Thesis thesis, 2022. https://openscholarship.wustl.edu/mfa_illustration/12