{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:etd-1166"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:etd-1166","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"Hermann Hesse as Ambivalent Modernist","abstract":"This dissertation asserts that the Hermann Hesse approaches the themes and techniques of literary Modernism with ambivalence. The first chapter outlines the role of philosophical and literary walking in Hesse's work in general as well as how these depictions differ from those produced by his predecessors. The second chapter takes Hesse's reinterpretation of Nietzsche and Rousseau and applies it to three of Hesse's early novels, Unterm Rad, Peter Camenzind, and Knulp. The third chapter examines Der Steppenwolf as an ambivalently Modernist autobiography, using Eugene Stelzig's notion of Seelenbiographie. The last chapter examines Hesse's two final novels, Die Morgenlandfahrt and Das Glasperlenspie as exemplars of Hesse's ambivalence towards modernist literary techniques overall.","abstract_html":"This dissertation asserts that the Hermann Hesse approaches the themes and techniques of literary Modernism with ambivalence. The first chapter outlines the role of philosophical and literary walking in Hesse's work in general as well as how these depictions differ from those produced by his predecessors. The second chapter takes Hesse's reinterpretation of Nietzsche and Rousseau and applies it to three of Hesse's early novels, Unterm Rad, Peter Camenzind, and Knulp. The third chapter examines Der Steppenwolf as an ambivalently Modernist autobiography, using Eugene Stelzig's notion of Seelenbiographie. The last chapter examines Hesse's two final novels, Die Morgenlandfahrt and Das Glasperlenspie as exemplars of Hesse's ambivalence towards modernist literary techniques overall.","abstract_has_math":false,"creators":["Jackson, Theodore"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Germanic Languages and Literatures","degree_department":null,"school":null,"contributors":["Lutz Koepnick"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T06:13:14Z","subjects":["Literature","Germanic","ambivalent","modernist","walking","wandern","wandervogel","youth culture"],"languages":["English (en)"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/K71R6NKW"],"render_values":[{"text":"https://doi.org/10.7936/K71R6NKW","href":"https://doi.org/10.7936/K71R6NKW","code":true}]}]},"links":{"outbound_url":"https://openscholarship.wustl.edu/etd/167","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Lutz Koepnick"]},{"key":"dc:creator","label":"Author","values":["Jackson, Theodore"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2010-01-01T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Germanic Languages and Literatures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature","Germanic","ambivalent","modernist","walking","wandern","wandervogel","youth culture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English (en)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/etd/167"]},{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/K71R6NKW"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation asserts that the Hermann Hesse approaches the themes and techniques of literary Modernism with ambivalence. The first chapter outlines the role of philosophical and literary walking in Hesse's work in general as well as how these depictions differ from those produced by his predecessors. The second chapter takes Hesse's reinterpretation of Nietzsche and Rousseau and applies it to three of Hesse's early novels, Unterm Rad, Peter Camenzind, and Knulp. The third chapter examines Der Steppenwolf as an ambivalently Modernist autobiography, using Eugene Stelzig's notion of Seelenbiographie. 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The third chapter examines Der Steppenwolf as an ambivalently Modernist autobiography, using Eugene Stelzig's notion of Seelenbiographie. The last chapter examines Hesse's two final novels, Die Morgenlandfahrt and Das Glasperlenspie as exemplars of Hesse's ambivalence towards modernist literary techniques overall."],"dc:identifier":["https://openscholarship.wustl.edu/etd/167"],"dc:identifier.doi":["https://doi.org/10.7936/K71R6NKW"],"dc:language":["English (en)"],"dc:subject":["Literature","Germanic","ambivalent","modernist","walking","wandern","wandervogel","youth culture"],"dc:title":["Hermann Hesse as Ambivalent Modernist"],"thesis:degree_discipline":["Germanic Languages and Literatures"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T06:13:14Z"}