{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:art_sci_etds-1474"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:art_sci_etds-1474","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"The German Jewish Post-Holocaust Novel: Narrative and a Literary Language for Loss","abstract":"This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish culture, and a literary trope I term the \"almost lost story,\" as components of a narrative practice that allows the novels' narrators--and by extension, the readers--to imagine a discursive space for this disnarrated testimony, or \"anti-archive.\" This study uncovers the extent to which post-Holocaust German Jewish literature is underpinned by a conception of Ashkenaz that encompasses both German Jewish and Eastern European Jewish culture and thought. My dissertation shows that the problems of trauma, loss, memory, and memorialization in post-1945 German Jewish fiction are above all problems of narrativity.","abstract_html":"This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish culture, and a literary trope I term the "almost lost story," as components of a narrative practice that allows the novels' narrators--and by extension, the readers--to imagine a discursive space for this disnarrated testimony, or "anti-archive." This study uncovers the extent to which post-Holocaust German Jewish literature is underpinned by a conception of Ashkenaz that encompasses both German Jewish and Eastern European Jewish culture and thought. My dissertation shows that the problems of trauma, loss, memory, and memorialization in post-1945 German Jewish fiction are above all problems of narrativity.","abstract_has_math":false,"creators":["Twitchell, Corey Lee"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Germanic Languages and Literatures","degree_department":null,"school":null,"contributors":["Erin McGlothlin","Jennifer Kapczynski, Caroline Kita, Tabea Linhard, Paul Michael Lützeler"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-05-15T07:00:00Z","date_published":"2015-05-15T07:00:00Z","updated_at":"2026-07-24T06:12:08Z","subjects":["German-Jewish","Holocaust Literature","Memory","Postwar Germany","Trauma","Yiddish","German Language and Literature"],"languages":["English (en)"],"rights":["I have not registered my thesis with the U.S. Copyright Office, and do not intend to."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/art_sci_etds/474"],"render_values":[{"text":"https://openscholarship.wustl.edu/art_sci_etds/474","href":"https://openscholarship.wustl.edu/art_sci_etds/474","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.7936/K7JD4TXW","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Erin McGlothlin","Jennifer Kapczynski, Caroline Kita, Tabea Linhard, Paul Michael Lützeler"]},{"key":"dc:creator","label":"Author","values":["Twitchell, Corey Lee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2020-05-15T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Germanic Languages and Literatures","Graduate School of Arts and Sciences"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["German-Jewish","Holocaust Literature","Memory","Postwar Germany","Trauma","Yiddish","German Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English (en)"]},{"key":"dc:rights","label":"Dc Rights","values":["I have not registered my thesis with the U.S. Copyright Office, and do not intend to."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.7936/K7JD4TXW","https://openscholarship.wustl.edu/art_sci_etds/474"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Permanent URL: https://doi.org/10.7936/K7JD4TXW"]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish culture, and a literary trope I term the \"almost lost story,\" as components of a narrative practice that allows the novels' narrators--and by extension, the readers--to imagine a discursive space for this disnarrated testimony, or \"anti-archive.\" This study uncovers the extent to which post-Holocaust German Jewish literature is underpinned by a conception of Ashkenaz that encompasses both German Jewish and Eastern European Jewish culture and thought. My dissertation shows that the problems of trauma, loss, memory, and memorialization in post-1945 German Jewish fiction are above all problems of narrativity."]},{"key":"dc:title","label":"Title","values":["The German Jewish Post-Holocaust Novel: Narrative and a Literary Language for Loss"]}]}],"canonical_facts":{"dc:contributor":["Erin McGlothlin","Jennifer Kapczynski, Caroline Kita, Tabea Linhard, Paul Michael Lützeler"],"dc:creator":["Twitchell, Corey Lee"],"dc:date.available":["2020-05-15T07:00:00Z"],"dc:description":["Permanent URL: https://doi.org/10.7936/K7JD4TXW"],"dc:description.abstract":["This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish culture, and a literary trope I term the \"almost lost story,\" as components of a narrative practice that allows the novels' narrators--and by extension, the readers--to imagine a discursive space for this disnarrated testimony, or \"anti-archive.\" This study uncovers the extent to which post-Holocaust German Jewish literature is underpinned by a conception of Ashkenaz that encompasses both German Jewish and Eastern European Jewish culture and thought. My dissertation shows that the problems of trauma, loss, memory, and memorialization in post-1945 German Jewish fiction are above all problems of narrativity."],"dc:identifier":["https://doi.org/10.7936/K7JD4TXW","https://openscholarship.wustl.edu/art_sci_etds/474"],"dc:language":["English (en)"],"dc:rights":["I have not registered my thesis with the U.S. Copyright Office, and do not intend to."],"dc:subject":["German-Jewish","Holocaust Literature","Memory","Postwar Germany","Trauma","Yiddish","German Language and Literature"],"dc:title":["The German Jewish Post-Holocaust Novel: Narrative and a Literary Language for Loss"],"thesis:degree_discipline":["Germanic Languages and Literatures","Graduate School of Arts and Sciences"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T06:12:08Z"}