Back to results

University of Wolverhampton

Aura, craft and labour: the critical dialogue between photography and painting

Abstract

dc:description.abstract

From the closing decades of the twentieth century, the philosophy of Walter Benjamin has been readily employed by academics seeking to legitimate lens-based art as critical practice and challenge the ideals of high modernism. Yet this situation has engendered a compulsion to read Benjamin as a harbinger of post-modernism, a tendency responsible for severe miss-interpretations of his work. This is most evident in accounts of arguably his most famous thesis: the philosophy of the aura. For scholars aiming to renounce autonomy, originality and genius in artistic labour, Benjamin’s reading of the aura’s decline has become a weapon of choice. However, although the auratic holds immediate significance for creative practice, what is often overlooked by invocations of Benjamin’s study is the fact that the aura does not describe a material or phenomenal quality that objects may or may not possess. On the contrary, the aura is a form of perceptual experience, a sensation analogous to reverie or contemplation. It is in response to claims that Benjamin’s thesis has been misconstrued that Aura, Craft and Labour is conceived. My dissertation sets out to re-stage the critical study of the auratic and thus revivify the philosophical, political and psychological motifs at play in Benjamin’s work. But to achieve this I do not intend to bypass subjects of artistic production and aesthetics. Rather, I aim to explore the sensory and experiential matrix of the auratic against the context of a critical dialogue between photography and painting, thereby identifying how an assessment of the breaks and ruptures that mark revolutions in creative practice can illuminate our insight into the aura debate.

Degree

thesis:*
Name dc:type.qualificationname
PhD
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Wolverhampton
Year dc:date.issued
2009

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Yarnold, Andrew
Advisors dc:contributor.advisor
  • Roberts, John
  • Fraser, John

Subjects

dc:subject × 5

Rights

dc:rights

Chain of custody

source
Harvested from
University of Wolverhampton
Base URL
wlv.openrepository.com/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Yarnold, Andrew. Aura, craft and labour: the critical dialogue between photography and painting. Doctoral thesis, University of Wolverhampton, 2009.