{"id":{"repo_id":"wku-diss","oai_identifier":"oai:digitalcommons.wku.edu:theses-2440"},"canonical_url":"https://search.dev.ndltd.org/etd/wku-diss/oai:digitalcommons.wku.edu:theses-2440","repository":{"repo_id":"wku-diss","name":"Western Kentucky University","base_url":"https://digitalcommons.wku.edu/do/oai/"},"display":{"title":"Rulers, Rhetoric, and Ray-Guns: A Post Colonial Look at 90's Alien Invasion Media","abstract":"<p>This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the \"other\" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).</p>","abstract_html":"&lt;p&gt;This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the &quot;other&quot; but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).&lt;/p&gt;","abstract_has_math":false,"creators":["Hudspeth, Logan Matthew"],"institution":null,"degree_name":"Master of Arts","degree_level":null,"degree_discipline":"Department of English","degree_department":null,"school":null,"contributors":["Jeffrey Rice (Director), Ted Hovet, David LeNoir"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-11-01T07:00:00Z","date_published":"2014-11-01T07:00:00Z","updated_at":"2026-07-24T06:08:39Z","subjects":["Cinema","Criticism","Science Fiction","Post-Colonialism","American Literature","American Film Studies","Comparative Literature","Creative Writing","Fiction"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.wku.edu/theses/1439","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jeffrey Rice (Director), Ted Hovet, David LeNoir"]},{"key":"dc:creator","label":"Author","values":["Hudspeth, Logan Matthew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of English"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cinema","Criticism","Science Fiction","Post-Colonialism","American Literature","American Film Studies","Comparative Literature","Creative Writing","Fiction"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.wku.edu/theses/1439"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the \"other\" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).</p>"]},{"key":"dc:title","label":"Title","values":["Rulers, Rhetoric, and Ray-Guns: A Post Colonial Look at 90's Alien Invasion Media"]}]}],"canonical_facts":{"dc:contributor":["Jeffrey Rice (Director), Ted Hovet, David LeNoir"],"dc:creator":["Hudspeth, Logan Matthew"],"dc:description.abstract":["<p>This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the \"other\" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).</p>"],"dc:identifier":["https://digitalcommons.wku.edu/theses/1439"],"dc:subject":["Cinema","Criticism","Science Fiction","Post-Colonialism","American Literature","American Film Studies","Comparative Literature","Creative Writing","Fiction"],"dc:title":["Rulers, Rhetoric, and Ray-Guns: A Post Colonial Look at 90's Alien Invasion Media"],"dc:type":["Thesis"],"thesis:degree_discipline":["Department of English"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T06:08:39Z"}