{"id":{"repo_id":"wku-diss","oai_identifier":"oai:digitalcommons.wku.edu:theses-1761"},"canonical_url":"https://search.dev.ndltd.org/etd/wku-diss/oai:digitalcommons.wku.edu:theses-1761","repository":{"repo_id":"wku-diss","name":"Western Kentucky University","base_url":"https://digitalcommons.wku.edu/do/oai/"},"display":{"title":"Southern Post-Modernism, Anti-Romanticism and Gender Difference in Flannery O'Connor and Some Other Southern Contemporaries","abstract":"<p>Flannery O' Connor has long been an established southern writer of the mid-twentieth century. This paper discusses briefly the tenets of both Modernism and Post-Modernism as literary movements of the twentieth-century, then looks specifically at how O'Connor's fiction makes her a key hallmark figure in the movement known as Post-Modernism, but also as one of the first female southern writers to utilize very anti-Romantic themes and style. Further, this paper attempts to examine through a discussion of various contemporary male and female southern writers the depth of O'Connor's influence on their own works. Attention is also given to the differences found in voice, theme and tone between southern contemporary male and female writers today, and explanations are offered as to why these marked differences exist.</p>","abstract_html":"&lt;p&gt;Flannery O&#x27; Connor has long been an established southern writer of the mid-twentieth century. This paper discusses briefly the tenets of both Modernism and Post-Modernism as literary movements of the twentieth-century, then looks specifically at how O&#x27;Connor&#x27;s fiction makes her a key hallmark figure in the movement known as Post-Modernism, but also as one of the first female southern writers to utilize very anti-Romantic themes and style. Further, this paper attempts to examine through a discussion of various contemporary male and female southern writers the depth of O&#x27;Connor&#x27;s influence on their own works. Attention is also given to the differences found in voice, theme and tone between southern contemporary male and female writers today, and explanations are offered as to why these marked differences exist.&lt;/p&gt;","abstract_has_math":false,"creators":["Skillern, Ada"],"institution":null,"degree_name":"Master of Arts","degree_level":null,"degree_discipline":"Department of English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1999,"date_issued":"1999-08-01T07:00:00Z","date_published":"1999-08-01T07:00:00Z","updated_at":"2026-07-24T06:07:48Z","subjects":["English Language and Literature","Literature in English, North America"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.wku.edu/theses/758","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Skillern, Ada"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of English"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["English Language and Literature","Literature in English, North America"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.wku.edu/theses/758"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Flannery O' Connor has long been an established southern writer of the mid-twentieth century. This paper discusses briefly the tenets of both Modernism and Post-Modernism as literary movements of the twentieth-century, then looks specifically at how O'Connor's fiction makes her a key hallmark figure in the movement known as Post-Modernism, but also as one of the first female southern writers to utilize very anti-Romantic themes and style. Further, this paper attempts to examine through a discussion of various contemporary male and female southern writers the depth of O'Connor's influence on their own works. Attention is also given to the differences found in voice, theme and tone between southern contemporary male and female writers today, and explanations are offered as to why these marked differences exist.</p>"]},{"key":"dc:title","label":"Title","values":["Southern Post-Modernism, Anti-Romanticism and Gender Difference in Flannery O'Connor and Some Other Southern Contemporaries"]}]}],"canonical_facts":{"dc:creator":["Skillern, Ada"],"dc:description.abstract":["<p>Flannery O' Connor has long been an established southern writer of the mid-twentieth century. This paper discusses briefly the tenets of both Modernism and Post-Modernism as literary movements of the twentieth-century, then looks specifically at how O'Connor's fiction makes her a key hallmark figure in the movement known as Post-Modernism, but also as one of the first female southern writers to utilize very anti-Romantic themes and style. Further, this paper attempts to examine through a discussion of various contemporary male and female southern writers the depth of O'Connor's influence on their own works. Attention is also given to the differences found in voice, theme and tone between southern contemporary male and female writers today, and explanations are offered as to why these marked differences exist.</p>"],"dc:identifier":["https://digitalcommons.wku.edu/theses/758"],"dc:subject":["English Language and Literature","Literature in English, North America"],"dc:title":["Southern Post-Modernism, Anti-Romanticism and Gender Difference in Flannery O'Connor and Some Other Southern Contemporaries"],"dc:type":["Thesis"],"thesis:degree_discipline":["Department of English"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T06:07:48Z"}