"Anything Dead Coming Back to Life Hurts": Ghosts and Memory in Hamlet and Beloved

Ghost stories are an ingrained part of most cultures because, typically, humans must be forced to confront those elements of their individual and communal past that they would prefer to ignore. Accordingly, ghosts have embodied weaknesses and hidden evils that must be assimilated and transcended, and writers have embroidered a variety of subtexts upon the traditional fabric of ghostlore. Specifically, both William Shakespeare's Hamlet and Toni Morrison's Beloved employ ghosts as symbols of man's archetypal desire to hide his past. A careful examination of the texts in these ghost stories, of the cultural folklore included, and of the ghosts' influence on individual characters reveals both writers' insistence that man must find the delicate balance between ignoring/evading the past and being consumed by that past. Both writers also explain that the individual's identity must integrate the past, but not be stifled by it. These works differ in that Shakespeare illustrates how man is destroyed when he does not find that balance and does not incorporate his past into his identity, while Morrison depicts the psychic balm that results from confrontation with and acceptance of the past as her characters face a new, more authentic life. While Shakespeare draws upon his society's widely accepted belief system, Morrison, operating in a culture alienated from its own mythic heritage, consciously constructs a mythic framework acceptable to the skeptical twentieth century reader.

Name thesis:degree_name

Master of Art

Discipline thesis:degree_discipline

Department of English

Year

1998

Author dc:creator

• Boyd, Rebecca

• English Language and Literature
• Folklore

Repository record dc:identifier

https://digitalcommons.wku.edu/theses/334

OAI identifier oai:identifier

oai:digitalcommons.wku.edu:theses-1337