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University of Sheffield

Lives and careers in music: a social identity perspective on brass music-making

Abstract

dc:description.abstract

This thesis presents a qualitative investigation of brass musicians’ identities. It explores the lives and careers of 40 elite musicians through narrative interviews, and of 572 amateurs, semi-professionals and professionals in an online survey. Combining theories from social psychology and music psychology (social identity theory (Tajfel, 1979) and musical identity (MacDonald, 2002)) enables the musician to be considered as a social category, and from this to develop a contemporary and novel investigation into musicians’ identities. Literature reviews and empirical data develop arguments on three current musical debates concerning the changing nature of musicians’ identities: the relationships between instrument choice and identity the historical and current beliefs about gender and music-making the changing nature of higher education and developing a musical career Previous research on instrument choice has focused on gender in children’s decision- making processes. However, the present empirical work shows the importance of social worlds, particularly the home, and of role models within the home in developing a positive musical identity. A socio-cultural / socio-historical approaches are used to further understand the changing perceptions and position of women in brass music-making. The empirical research examines the successes and barriers experienced by the few contemporary female brass musicians working in the UK. Finally, the contemporary literature concerning the effects of musical training on becoming and being a musician is examined. The empirical research takes narratives from professional classical performers from across the lifespan, to explore the impact of training, performing, and developing a career on their identities. The thesis concludes with an evaluation of the application of social identity theory in this context, and its relevance for practitioners and researchers.

Degree

thesis:*
Name dc:type.qualificationname
Ph.D
Level dc:type.qualificationlevel
doctoral
Grantor dc:publisher.institution
University of Sheffield
Year dc:date.issued
2010

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gee, Kate A

Identifiers

dc:identifier.*
Identifier
uk.bl.ethos.521986
OAI identifier oai:identifier
oai:etheses.whiterose.ac.uk:896

Chain of custody

source
Harvested from
White Rose University Consortium
Base URL
etheses.whiterose.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Gee, Kate A. Lives and careers in music: a social identity perspective on brass music-making. doctoral thesis, University of Sheffield, 2010.