{"id":{"repo_id":"wfu","oai_identifier":"oai:wakespace.lib.wfu.edu:10339/82255"},"canonical_url":"https://search.dev.ndltd.org/etd/wfu/oai:wakespace.lib.wfu.edu:10339/82255","repository":{"repo_id":"wfu","name":"Wake Forest University","base_url":"https://wakespace.lib.wfu.edu/oai/request"},"display":{"title":"AS BLACKNESS BERNS: AN AFROPESSIMIST READING OF BERNARD SANDERS’ 2016 PRESIDENTIAL CAMPAIGN ADVERTISEMENT “TOGETHER”","abstract":"This thesis evaluates Bernard Sanders’ viral 2016 Presidential campaign advertisement Together using O’Connor’s theory of Moving-Image Documents. The image-documents are then used to perform a “structural” reading of the advertisement via the emerging literature on Afropessimism to determine why supporters of Sanders created such a powerful and loyal collective and his proposed revolution against the 1% is ethical and possible. I conclude that his supporters created affective community in response to Sanders’ multicultural ethos and that his revolution is in fact anti-black. Using the psychoanalytic theories of Afropessimism I also find the affective communities participate in the libidinal economy of antiblackness because of the psychic relief that participation brings.","abstract_html":"This thesis evaluates Bernard Sanders’ viral 2016 Presidential campaign advertisement Together using O’Connor’s theory of Moving-Image Documents. The image-documents are then used to perform a “structural” reading of the advertisement via the emerging literature on Afropessimism to determine why supporters of Sanders created such a powerful and loyal collective and his proposed revolution against the 1% is ethical and possible. I conclude that his supporters created affective community in response to Sanders’ multicultural ethos and that his revolution is in fact anti-black. Using the psychoanalytic theories of Afropessimism I also find the affective communities participate in the libidinal economy of antiblackness because of the psychic relief that participation brings.","abstract_has_math":false,"creators":["Smith, Elijah Smith"],"institution":"Wake Forest University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017","date_published":"2017","updated_at":"2026-07-27T22:02:11Z","subjects":["Affect"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10339/82255","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Smith, Elijah Smith"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-06-15T08:36:20Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2019-06-14T08:30:14Z"]},{"key":"dc:date.issued","label":"Date","values":["2017"]},{"key":"dc:publisher","label":"Institution","values":["Wake Forest University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Affect"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10339/82255"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis evaluates Bernard Sanders’ viral 2016 Presidential campaign advertisement Together using O’Connor’s theory of Moving-Image Documents. The image-documents are then used to perform a “structural” reading of the advertisement via the emerging literature on Afropessimism to determine why supporters of Sanders created such a powerful and loyal collective and his proposed revolution against the 1% is ethical and possible. I conclude that his supporters created affective community in response to Sanders’ multicultural ethos and that his revolution is in fact anti-black. Using the psychoanalytic theories of Afropessimism I also find the affective communities participate in the libidinal economy of antiblackness because of the psychic relief that participation brings."]},{"key":"dc:title","label":"Title","values":["AS BLACKNESS BERNS: AN AFROPESSIMIST READING OF BERNARD SANDERS’ 2016 PRESIDENTIAL CAMPAIGN ADVERTISEMENT “TOGETHER”"]}]}],"canonical_facts":{"dc:creator":["Smith, Elijah Smith"],"dc:date.accessioned":["2017-06-15T08:36:20Z"],"dc:date.available":["2019-06-14T08:30:14Z"],"dc:date.issued":["2017"],"dc:description.abstract":["This thesis evaluates Bernard Sanders’ viral 2016 Presidential campaign advertisement Together using O’Connor’s theory of Moving-Image Documents. The image-documents are then used to perform a “structural” reading of the advertisement via the emerging literature on Afropessimism to determine why supporters of Sanders created such a powerful and loyal collective and his proposed revolution against the 1% is ethical and possible. I conclude that his supporters created affective community in response to Sanders’ multicultural ethos and that his revolution is in fact anti-black. Using the psychoanalytic theories of Afropessimism I also find the affective communities participate in the libidinal economy of antiblackness because of the psychic relief that participation brings."],"dc:identifier.uri":["http://hdl.handle.net/10339/82255"],"dc:language.iso":["en"],"dc:publisher":["Wake Forest University"],"dc:subject":["Affect"],"dc:title":["AS BLACKNESS BERNS: AN AFROPESSIMIST READING OF BERNARD SANDERS’ 2016 PRESIDENTIAL CAMPAIGN ADVERTISEMENT “TOGETHER”"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T22:02:11Z"}