{"id":{"repo_id":"wfu","oai_identifier":"oai:wakespace.lib.wfu.edu:10339/39126"},"canonical_url":"https://search.dev.ndltd.org/etd/wfu/oai:wakespace.lib.wfu.edu:10339/39126","repository":{"repo_id":"wfu","name":"Wake Forest University","base_url":"https://wakespace.lib.wfu.edu/oai/request"},"display":{"title":"\"Sometime There is Breath\": Gertrude Stein's Tender Buttons as Maternal Lexicon","abstract":"A study of Gertrude Stein's poetry collection Tender Buttons, this thesis uncovers and explores the text's covert maternal trope. Although Stein staunchly evaded categorization as a feminist, the employment of maternal imagery and the exploration of a language predicated by the feminine space of the womb warrant a reassessment of Stein's stance on feminism. This thesis identifies and elucidates the poetic exploration of the womb as a space containing one not yet formed, that is, the unnamed, ungendered, uninscribed in the restrictive and hegemonic yoke of culture. In this space, Stein delights in the indeterminacy of a language not yet born into the society that prescribes it to a single denotative method. Through consideration of French Feminism, this thesis identifies Stein's poetry as a harbinger of Kristeva's semiotic register yet resists its categorization as feminist. Interpreting Tender Buttons instead as a portent of diachronic linguistics, I hope to extend the analysis of the collection beyond the feminist position that increasingly dominates Stein scholarship. Positing the collection as an attempt toward the nullification of gendered writing, I suggest the potential to divest the employment of the female body as a tool solely for the construction of a feminist/linguistic argument.","abstract_html":"A study of Gertrude Stein's poetry collection Tender Buttons, this thesis uncovers and explores the text's covert maternal trope. Although Stein staunchly evaded categorization as a feminist, the employment of maternal imagery and the exploration of a language predicated by the feminine space of the womb warrant a reassessment of Stein's stance on feminism. This thesis identifies and elucidates the poetic exploration of the womb as a space containing one not yet formed, that is, the unnamed, ungendered, uninscribed in the restrictive and hegemonic yoke of culture. In this space, Stein delights in the indeterminacy of a language not yet born into the society that prescribes it to a single denotative method. Through consideration of French Feminism, this thesis identifies Stein's poetry as a harbinger of Kristeva's semiotic register yet resists its categorization as feminist. Interpreting Tender Buttons instead as a portent of diachronic linguistics, I hope to extend the analysis of the collection beyond the feminist position that increasingly dominates Stein scholarship. Positing the collection as an attempt toward the nullification of gendered writing, I suggest the potential to divest the employment of the female body as a tool solely for the construction of a feminist/linguistic argument.","abstract_has_math":false,"creators":["Williams, Katherine Mills"],"institution":"Wake Forest University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013","date_published":"2013","updated_at":"2026-07-27T22:01:39Z","subjects":["experimental poetry"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10339/39126","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Williams, Katherine Mills"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-01-15T09:35:31Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-15T09:30:09Z"]},{"key":"dc:date.issued","label":"Date","values":["2013"]},{"key":"dc:publisher","label":"Institution","values":["Wake Forest University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["experimental poetry"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10339/39126"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["A study of Gertrude Stein's poetry collection Tender Buttons, this thesis uncovers and explores the text's covert maternal trope. Although Stein staunchly evaded categorization as a feminist, the employment of maternal imagery and the exploration of a language predicated by the feminine space of the womb warrant a reassessment of Stein's stance on feminism. This thesis identifies and elucidates the poetic exploration of the womb as a space containing one not yet formed, that is, the unnamed, ungendered, uninscribed in the restrictive and hegemonic yoke of culture. In this space, Stein delights in the indeterminacy of a language not yet born into the society that prescribes it to a single denotative method. Through consideration of French Feminism, this thesis identifies Stein's poetry as a harbinger of Kristeva's semiotic register yet resists its categorization as feminist. Interpreting Tender Buttons instead as a portent of diachronic linguistics, I hope to extend the analysis of the collection beyond the feminist position that increasingly dominates Stein scholarship. Positing the collection as an attempt toward the nullification of gendered writing, I suggest the potential to divest the employment of the female body as a tool solely for the construction of a feminist/linguistic argument."]},{"key":"dc:title","label":"Title","values":["\"Sometime There is Breath\": Gertrude Stein's Tender Buttons as Maternal Lexicon"]}]}],"canonical_facts":{"dc:creator":["Williams, Katherine Mills"],"dc:date.accessioned":["2014-01-15T09:35:31Z"],"dc:date.available":["2015-01-15T09:30:09Z"],"dc:date.issued":["2013"],"dc:description.abstract":["A study of Gertrude Stein's poetry collection Tender Buttons, this thesis uncovers and explores the text's covert maternal trope. Although Stein staunchly evaded categorization as a feminist, the employment of maternal imagery and the exploration of a language predicated by the feminine space of the womb warrant a reassessment of Stein's stance on feminism. This thesis identifies and elucidates the poetic exploration of the womb as a space containing one not yet formed, that is, the unnamed, ungendered, uninscribed in the restrictive and hegemonic yoke of culture. In this space, Stein delights in the indeterminacy of a language not yet born into the society that prescribes it to a single denotative method. Through consideration of French Feminism, this thesis identifies Stein's poetry as a harbinger of Kristeva's semiotic register yet resists its categorization as feminist. Interpreting Tender Buttons instead as a portent of diachronic linguistics, I hope to extend the analysis of the collection beyond the feminist position that increasingly dominates Stein scholarship. Positing the collection as an attempt toward the nullification of gendered writing, I suggest the potential to divest the employment of the female body as a tool solely for the construction of a feminist/linguistic argument."],"dc:identifier.uri":["http://hdl.handle.net/10339/39126"],"dc:language.iso":["en"],"dc:publisher":["Wake Forest University"],"dc:subject":["experimental poetry"],"dc:title":["\"Sometime There is Breath\": Gertrude Stein's Tender Buttons as Maternal Lexicon"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T22:01:39Z"}