{"id":{"repo_id":"wfu","oai_identifier":"oai:wakespace.lib.wfu.edu:10339/33479"},"canonical_url":"https://search.dev.ndltd.org/etd/wfu/oai:wakespace.lib.wfu.edu:10339/33479","repository":{"repo_id":"wfu","name":"Wake Forest University","base_url":"https://wakespace.lib.wfu.edu/oai/request"},"display":{"title":"Whose Clothes Are They Wearing Anyway? Sartorial Exchange, Disguise, and Accumulation in Chaucer's The Clerk's Tale and Dickens's Our Mutual Friend","abstract":"In the material culture of texts, clothing holds a particularly troubled position. A visual and tactile medium, clothing can be veiled by the words that make up texts even as garments play an integral role in defining and constructing characters' identities and physical bodies. Geoffrey Chaucer's The Clerk's Tale and Charles Dickens's Our Mutual Friend both utilize clothing to construct gendered characters through the clothes they wear. By placing these two disparate texts in conversation, I examine the exchange of clothing and how Chaucer and Dickens further this tradition within the father-daughter-husband triangle. Chaucer creates a traditional framework of patriarchal control through the undressing and re-dressing of Grisilde. Dickens expands this tradition by his use of clothing and the actions that surround it to trouble patriarchal authority in the guise of daughters and lovers, whose ability to undress, re-dress, and disguise themselves allows them to appropriate masculine roles of authority and provision. Through sartorial exchange, disguise, and accumulation, characters re-gender clothing in a shared sensibility between male and female, eliding masculine and feminine roles, and questioning the return to the domestic that characterizes both texts.","abstract_html":"In the material culture of texts, clothing holds a particularly troubled position. A visual and tactile medium, clothing can be veiled by the words that make up texts even as garments play an integral role in defining and constructing characters' identities and physical bodies. Geoffrey Chaucer's <italic>The Clerk's Tale</italic> and Charles Dickens's <italic>Our Mutual Friend</italic> both utilize clothing to construct gendered characters through the clothes they wear. By placing these two disparate texts in conversation, I examine the exchange of clothing and how Chaucer and Dickens further this tradition within the father-daughter-husband triangle. Chaucer creates a traditional framework of patriarchal control through the undressing and re-dressing of Grisilde. Dickens expands this tradition by his use of clothing and the actions that surround it to trouble patriarchal authority in the guise of daughters and lovers, whose ability to undress, re-dress, and disguise themselves allows them to appropriate masculine roles of authority and provision. Through sartorial exchange, disguise, and accumulation, characters re-gender clothing in a shared sensibility between male and female, eliding masculine and feminine roles, and questioning the return to the domestic that characterizes both texts.","abstract_has_math":false,"creators":["Ernst, Rachel A."],"institution":"Wake Forest University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011","date_published":"2011","updated_at":"2026-07-27T22:01:14Z","subjects":["clothing"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10339/33479","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Ernst, Rachel A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2011-07-14T20:36:04Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-07-14T08:30:10Z"]},{"key":"dc:date.issued","label":"Date","values":["2011"]},{"key":"dc:publisher","label":"Institution","values":["Wake Forest University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["clothing"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10339/33479"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In the material culture of texts, clothing holds a particularly troubled position. A visual and tactile medium, clothing can be veiled by the words that make up texts even as garments play an integral role in defining and constructing characters' identities and physical bodies. Geoffrey Chaucer's The Clerk's Tale and Charles Dickens's Our Mutual Friend both utilize clothing to construct gendered characters through the clothes they wear. By placing these two disparate texts in conversation, I examine the exchange of clothing and how Chaucer and Dickens further this tradition within the father-daughter-husband triangle. Chaucer creates a traditional framework of patriarchal control through the undressing and re-dressing of Grisilde. Dickens expands this tradition by his use of clothing and the actions that surround it to trouble patriarchal authority in the guise of daughters and lovers, whose ability to undress, re-dress, and disguise themselves allows them to appropriate masculine roles of authority and provision. Through sartorial exchange, disguise, and accumulation, characters re-gender clothing in a shared sensibility between male and female, eliding masculine and feminine roles, and questioning the return to the domestic that characterizes both texts."]},{"key":"dc:title","label":"Title","values":["Whose Clothes Are They Wearing Anyway? Sartorial Exchange, Disguise, and Accumulation in Chaucer's The Clerk's Tale and Dickens's Our Mutual Friend"]}]}],"canonical_facts":{"dc:creator":["Ernst, Rachel A."],"dc:date.accessioned":["2011-07-14T20:36:04Z"],"dc:date.available":["2013-07-14T08:30:10Z"],"dc:date.issued":["2011"],"dc:description.abstract":["In the material culture of texts, clothing holds a particularly troubled position. A visual and tactile medium, clothing can be veiled by the words that make up texts even as garments play an integral role in defining and constructing characters' identities and physical bodies. Geoffrey Chaucer's The Clerk's Tale and Charles Dickens's Our Mutual Friend both utilize clothing to construct gendered characters through the clothes they wear. By placing these two disparate texts in conversation, I examine the exchange of clothing and how Chaucer and Dickens further this tradition within the father-daughter-husband triangle. Chaucer creates a traditional framework of patriarchal control through the undressing and re-dressing of Grisilde. Dickens expands this tradition by his use of clothing and the actions that surround it to trouble patriarchal authority in the guise of daughters and lovers, whose ability to undress, re-dress, and disguise themselves allows them to appropriate masculine roles of authority and provision. Through sartorial exchange, disguise, and accumulation, characters re-gender clothing in a shared sensibility between male and female, eliding masculine and feminine roles, and questioning the return to the domestic that characterizes both texts."],"dc:identifier.uri":["http://hdl.handle.net/10339/33479"],"dc:language.iso":["en"],"dc:publisher":["Wake Forest University"],"dc:subject":["clothing"],"dc:title":["Whose Clothes Are They Wearing Anyway? Sartorial Exchange, Disguise, and Accumulation in Chaucer's The Clerk's Tale and Dickens's Our Mutual Friend"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T22:01:14Z"}