{"id":{"repo_id":"wfu","oai_identifier":"oai:wakespace.lib.wfu.edu:10339/14822"},"canonical_url":"https://search.dev.ndltd.org/etd/wfu/oai:wakespace.lib.wfu.edu:10339/14822","repository":{"repo_id":"wfu","name":"Wake Forest University","base_url":"https://wakespace.lib.wfu.edu/oai/request"},"display":{"title":"Hero in West and East","abstract":"In examining the different perceptions of Zhang Yimou’s Hero (2002) from American and Chinese popular press, this research considers western film theories, as well as the specific Chinese film ecology of the current decade 1999-2009. Reflections on the different readings of the filmic text are discussed with the focus on martial arts film genre and its political implications. A transnational perspective assists in revealing Hero’s real ambition, at the same time, it replaces the binary approaches, including western/eastern, observer/observed and dominance/sub-ordinance, to help appreciate some globalized films.","abstract_html":"In examining the different perceptions of Zhang Yimou’s Hero (2002) from American and Chinese popular press, this research considers western film theories, as well as the specific Chinese film ecology of the current decade 1999-2009. Reflections on the different readings of the filmic text are discussed with the focus on martial arts film genre and its political implications. A transnational perspective assists in revealing Hero’s real ambition, at the same time, it replaces the binary approaches, including western/eastern, observer/observed and dominance/sub-ordinance, to help appreciate some globalized films.","abstract_has_math":false,"creators":["Fang, Zhang"],"institution":"Wake Forest University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-05-08T17:28:34Z","date_published":"2009-05-08T17:28:34Z","updated_at":"2026-07-27T22:01:01Z","subjects":["Hero, West and East"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10339/14822","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Fang, Zhang"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2009-05-08T17:28:34Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2009-05-08T17:28:34Z"]},{"key":"dc:date.issued","label":"Date","values":["2009-05-08T17:28:34Z"]},{"key":"dc:publisher","label":"Institution","values":["Wake Forest University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Hero, West and East"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10339/14822"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In examining the different perceptions of Zhang Yimou’s Hero (2002) from American and Chinese popular press, this research considers western film theories, as well as the specific Chinese film ecology of the current decade 1999-2009. Reflections on the different readings of the filmic text are discussed with the focus on martial arts film genre and its political implications. A transnational perspective assists in revealing Hero’s real ambition, at the same time, it replaces the binary approaches, including western/eastern, observer/observed and dominance/sub-ordinance, to help appreciate some globalized films."]},{"key":"dc:title","label":"Title","values":["Hero in West and East"]}]}],"canonical_facts":{"dc:creator":["Fang, Zhang"],"dc:date.accessioned":["2009-05-08T17:28:34Z"],"dc:date.available":["2009-05-08T17:28:34Z"],"dc:date.issued":["2009-05-08T17:28:34Z"],"dc:description.abstract":["In examining the different perceptions of Zhang Yimou’s Hero (2002) from American and Chinese popular press, this research considers western film theories, as well as the specific Chinese film ecology of the current decade 1999-2009. Reflections on the different readings of the filmic text are discussed with the focus on martial arts film genre and its political implications. A transnational perspective assists in revealing Hero’s real ambition, at the same time, it replaces the binary approaches, including western/eastern, observer/observed and dominance/sub-ordinance, to help appreciate some globalized films."],"dc:identifier.uri":["http://hdl.handle.net/10339/14822"],"dc:language.iso":["en_US"],"dc:publisher":["Wake Forest University"],"dc:subject":["Hero, West and East"],"dc:title":["Hero in West and East"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T22:01:01Z"}