Children and computers: collected works (1995–2014)
type: CreativeWork
description: This commentary focuses on my photographic and film work that takes the relationship between children and computers as its theme. The text opens with a description of my earliest digital research project In a Shaded Place (1995), which explored the introduction of computers into early learning. I then go on to discuss a series of projects that focus similarly on the relationship between children and digital culture from this period to 2014. Over a series of chapters I discuss my own practice in relation to the early impact of the computer on photography, the impact of the introduction of the Internet on children and the development and impact of computer gaming on young people. I also discuss the enduring interest in childhood as a theme in photography, reflecting on the work of key artists, curators and writers working in my field whom I have exhibited and been published alongside over the period covered by the commentary. All of the projects included here address the question: How has the computer (and, by extension, the information age) affected the ways in which we describe and depict ourselves? Over the period covered by this commentary there has an unprecedented shift in the understanding of the role and function of photography. There has also been a marked shift in attitude to the representation of the child in society. Both of these subjects have deeply informed my practice. I conclude my commentary with a description and analysis of my 2009 project The Skater and a description of what I perceive as my own contribution to new knowledge, which includes the impact of my work on the understanding of the representation for the child in photography and also its implied critique of the impact of the computer on photography at the beginning of the digital age.
abstract: This commentary focuses on my photographic and film work that takes the relationship between children and computers as its theme. The text opens with a description of my earliest digital research project In a Shaded Place (1995), which explored the introduction of computers into early learning. I then go on to discuss a series of projects that focus similarly on the relationship between children and digital culture from this period to 2014. Over a series of chapters I discuss my own practice in relation to the early impact of the computer on photography, the impact of the introduction of the Internet on children and the development and impact of computer gaming on young people. I also discuss the enduring interest in childhood as a theme in photography, reflecting on the work of key artists, curators and writers working in my field whom I have exhibited and been published alongside over the period covered by the commentary. All of the projects included here address the question: How has the computer (and, by extension, the information age) affected the ways in which we describe and depict ourselves? Over the period covered by this commentary there has an unprecedented shift in the understanding of the role and function of photography. There has also been a marked shift in attitude to the representation of the child in society. Both of these subjects have deeply informed my practice. I conclude my commentary with a description and analysis of my 2009 project The Skater and a description of what I perceive as my own contribution to new knowledge, which includes the impact of my work on the understanding of the representation for the child in photography and also its implied critique of the impact of the computer on photography at the beginning of the digital age.
author: McMurdo, W.
date published: 2015
date modified: 2026-07-24T06:01:55Z
provider: University of Westminster
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Westminster

PropertyValue
property ID: DOI
value: 10.34737/997v9