A place to pray
type: CreativeWork
description: A Place to Pray is a creative nonfiction piece that weaves together personal narrative and historical reflection to explore my family’s dispossession from their ancestral land in Ebenezer, South Africa. The story unfolds through a series of contemporary events—family gatherings, WhatsApp conversations, and the legal steps we are currently taking to reclaim the land. These present moments act as windows into the past, uncovering deep connections between land, identity, and belonging At the heart of this narrative is the figure of my great-grandmother, Ouma Betty, a quiet yet enduring presence in family lore. In A Place to Pray, her life becomes a metaphor for the silenced experiences of women whose stories, like hers, have been overshadowed by history and displacement. By telling a story of my quest to learn more about Ouma Betty, the narrative seeks to recover some of these lost voices and to acknowledge the often-overlooked struggles of women in coloured communities. The work moves between intimate family moments and broader national issues, using personal experience to reflect on the ongoing complexities of land redistribution in South Africa. It begins with a land claim meeting in Ebenezer which establishes both the historical and emotional context of the story. Subsequent chapters include interviews with Tannetjie, Ouma Betty’s daughter, which offer intimate insights into the family's history, and conversations with Antie Lindy, whose vivid memory of Ouma Betty is a crucial inspiration for shaping the narrative. Beyond this, it becomes increasingly difficult to find further information about Ouma Betty, and by end of the fifth chapter, I am unable to continue. Eventually in the final chapter the narrative arc shifts upward again, as I regain the motivation to return to the project, and the story reaches its emotional peak when my mother buys land in Ebenezer. This becomes a symbol of reclaiming not only land but also identity, and it offers a sense of resolution…
abstract: A Place to Pray is a creative nonfiction piece that weaves together personal narrative and historical reflection to explore my family’s dispossession from their ancestral land in Ebenezer, South Africa. The story unfolds through a series of contemporary events—family gatherings, WhatsApp conversations, and the legal steps we are currently taking to reclaim the land. These present moments act as windows into the past, uncovering deep connections between land, identity, and belonging At the heart of this narrative is the figure of my great-grandmother, Ouma Betty, a quiet yet enduring presence in family lore. In A Place to Pray, her life becomes a metaphor for the silenced experiences of women whose stories, like hers, have been overshadowed by history and displacement. By telling a story of my quest to learn more about Ouma Betty, the narrative seeks to recover some of these lost voices and to acknowledge the often-overlooked struggles of women in coloured communities. The work moves between intimate family moments and broader national issues, using personal experience to reflect on the ongoing complexities of land redistribution in South Africa. It begins with a land claim meeting in Ebenezer which establishes both the historical and emotional context of the story. Subsequent chapters include interviews with Tannetjie, Ouma Betty’s daughter, which offer intimate insights into the family's history, and conversations with Antie Lindy, whose vivid memory of Ouma Betty is a crucial inspiration for shaping the narrative. Beyond this, it becomes increasingly difficult to find further information about Ouma Betty, and by end of the fifth chapter, I am unable to continue. Eventually in the final chapter the narrative arc shifts upward again, as I regain the motivation to return to the project, and the story reaches its emotional peak when my mother buys land in Ebenezer. This becomes a symbol of reclaiming not only land but also identity, and it offers a sense of resolution…
author: Petersen, Andrea
keywords: Creative nonfiction, land claims, Ebenezer, identity, belonging
license: https://uwcscholar.uwc.ac.za/bitstreams/e74d2ade-e273-4838-9282-f548eb47a125/download
date published: 2024
date modified: 2026-07-24T06:00:36Z
provider: University of the Western Cape
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of the Western Cape