{"id":{"repo_id":"washington","oai_identifier":"oai:digital.lib.washington.edu:1773/36968"},"canonical_url":"https://search.dev.ndltd.org/etd/washington/oai:digital.lib.washington.edu:1773/36968","repository":{"repo_id":"washington","name":"University of Washington","base_url":"https://digital.lib.washington.edu/server/oai/request"},"display":{"title":"Primitivism, Regionalism, and the Vernacular in Le Corbusier's middle years, 1929-1945","abstract":"This thesis examines Le Corbusier’s middle years from 1929-1945, a period that is not often a subject of architectural historians’ interest. This work is largely overshadowed by the two phases that represent the peak moments of Le Corbusier’s career which are: the early years from the Maison Dom-ino (1913) to the Villa Savoye (1929) and the later years from the Marseilles block (1946) to the Capitol of Chandigarh (1952-1965). In studying this phase in Le Corbusier’s career, it is fascinating that this connecting period reveals how the characteristics of his design progressed and were altered—from a focus on machine beauty to a humanistic approach. Three qualities stood out during the investigation of this mediation, which were; the architect’s rational understanding of the three terms—primitivism, regionalism, and the vernacular; the architect’s study of these three terms through a self-searching experience; and the gradual emergence of the second-phase of his modern architecture. The concrete realization of this process can be explicitly seen in his urban plans for North Africa and South America and his small-scale domestic projects in France starting from the late-1920s onward. Overall, this thesis attempts to understand the relationship and position of primitivism, regionalism, and the vernacular in modern architectural perceptions through the designs of a leading modernist architect, Le Corbusier and, at the same time, to understand the importance of the study of transitional phases in an individual architect’s work.","abstract_html":"This thesis examines Le Corbusier’s middle years from 1929-1945, a period that is not often a subject of architectural historians’ interest. This work is largely overshadowed by the two phases that represent the peak moments of Le Corbusier’s career which are: the early years from the Maison Dom-ino (1913) to the Villa Savoye (1929) and the later years from the Marseilles block (1946) to the Capitol of Chandigarh (1952-1965). In studying this phase in Le Corbusier’s career, it is fascinating that this connecting period reveals how the characteristics of his design progressed and were altered—from a focus on machine beauty to a humanistic approach. Three qualities stood out during the investigation of this mediation, which were; the architect’s rational understanding of the three terms—primitivism, regionalism, and the vernacular; the architect’s study of these three terms through a self-searching experience; and the gradual emergence of the second-phase of his modern architecture. The concrete realization of this process can be explicitly seen in his urban plans for North Africa and South America and his small-scale domestic projects in France starting from the late-1920s onward. Overall, this thesis attempts to understand the relationship and position of primitivism, regionalism, and the vernacular in modern architectural perceptions through the designs of a leading modernist architect, Le Corbusier and, at the same time, to understand the importance of the study of transitional phases in an individual architect’s work.","abstract_has_math":false,"creators":["Vongkulbhisal, Supasai"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["McLaren, Brian L","Anderson, Alex T"],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-09-22","date_published":"2016-09-22","updated_at":"2026-07-24T05:58:05Z","subjects":["Le Corbusier","Modern Architecture","Modern Vernacular","Primitivism","Regionalism","Vernacular"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1773/36968","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["McLaren, Brian L","Anderson, Alex T"]},{"key":"dc:creator","label":"Author","values":["Vongkulbhisal, Supasai"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-09-22T15:40:20Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-09-22T15:40:20Z"]},{"key":"dc:date.issued","label":"Date","values":["2016-09-22"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Le Corbusier","Modern Architecture","Modern Vernacular","Primitivism","Regionalism","Vernacular"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["Vongkulbhisal_washington_0250O_16270.pdf"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1773/36968"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Thesis (Master's)--University of Washington, 2016-06"]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines Le Corbusier’s middle years from 1929-1945, a period that is not often a subject of architectural historians’ interest. This work is largely overshadowed by the two phases that represent the peak moments of Le Corbusier’s career which are: the early years from the Maison Dom-ino (1913) to the Villa Savoye (1929) and the later years from the Marseilles block (1946) to the Capitol of Chandigarh (1952-1965). In studying this phase in Le Corbusier’s career, it is fascinating that this connecting period reveals how the characteristics of his design progressed and were altered—from a focus on machine beauty to a humanistic approach. Three qualities stood out during the investigation of this mediation, which were; the architect’s rational understanding of the three terms—primitivism, regionalism, and the vernacular; the architect’s study of these three terms through a self-searching experience; and the gradual emergence of the second-phase of his modern architecture. The concrete realization of this process can be explicitly seen in his urban plans for North Africa and South America and his small-scale domestic projects in France starting from the late-1920s onward. Overall, this thesis attempts to understand the relationship and position of primitivism, regionalism, and the vernacular in modern architectural perceptions through the designs of a leading modernist architect, Le Corbusier and, at the same time, to understand the importance of the study of transitional phases in an individual architect’s work."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Primitivism, Regionalism, and the Vernacular in Le Corbusier's middle years, 1929-1945"]}]}],"canonical_facts":{"dc:contributor.advisor":["McLaren, Brian L","Anderson, Alex T"],"dc:creator":["Vongkulbhisal, Supasai"],"dc:date.accessioned":["2016-09-22T15:40:20Z"],"dc:date.available":["2016-09-22T15:40:20Z"],"dc:date.issued":["2016-09-22"],"dc:description":["Thesis (Master's)--University of Washington, 2016-06"],"dc:description.abstract":["This thesis examines Le Corbusier’s middle years from 1929-1945, a period that is not often a subject of architectural historians’ interest. This work is largely overshadowed by the two phases that represent the peak moments of Le Corbusier’s career which are: the early years from the Maison Dom-ino (1913) to the Villa Savoye (1929) and the later years from the Marseilles block (1946) to the Capitol of Chandigarh (1952-1965). In studying this phase in Le Corbusier’s career, it is fascinating that this connecting period reveals how the characteristics of his design progressed and were altered—from a focus on machine beauty to a humanistic approach. Three qualities stood out during the investigation of this mediation, which were; the architect’s rational understanding of the three terms—primitivism, regionalism, and the vernacular; the architect’s study of these three terms through a self-searching experience; and the gradual emergence of the second-phase of his modern architecture. The concrete realization of this process can be explicitly seen in his urban plans for North Africa and South America and his small-scale domestic projects in France starting from the late-1920s onward. Overall, this thesis attempts to understand the relationship and position of primitivism, regionalism, and the vernacular in modern architectural perceptions through the designs of a leading modernist architect, Le Corbusier and, at the same time, to understand the importance of the study of transitional phases in an individual architect’s work."],"dc:format.mimetype":["application/pdf"],"dc:identifier.other":["Vongkulbhisal_washington_0250O_16270.pdf"],"dc:identifier.uri":["http://hdl.handle.net/1773/36968"],"dc:language.iso":["en_US"],"dc:subject":["Le Corbusier","Modern Architecture","Modern Vernacular","Primitivism","Regionalism","Vernacular"],"dc:title":["Primitivism, Regionalism, and the Vernacular in Le Corbusier's middle years, 1929-1945"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T05:58:05Z"}