{"id":{"repo_id":"washington","oai_identifier":"oai:digital.lib.washington.edu:1773/36686"},"canonical_url":"https://search.dev.ndltd.org/etd/washington/oai:digital.lib.washington.edu:1773/36686","repository":{"repo_id":"washington","name":"University of Washington","base_url":"https://digital.lib.washington.edu/server/oai/request"},"display":{"title":"Split Ends","abstract":"I sit by the window, running my fingers through my hair. Getting to the ends, I hold them up to examine them. There is a golden afternoon light coming through the window. This is the magic time of day when every strand is illuminated. I sift through these tiny fissures, noticing where the breakdown starts. They are the result of wear and weakness, but sprout like tiny seedlings. Commonly seen as imperfections, I look at them with admiration. After finding the perfect split end, I hold the strand and rip it out of my scalp. I get my camera and set it on the tripod. Knowing the split will only be visible if lit from behind, I hold it in front of a frosted light box. This set up creates a silhouetted version of my hand. I take all the steps to get the right focus and exposure. I place the film holder in the camera and pull out the dark slide. Then comes the element of chance; the part that makes shooting film magical. Between the subject and the film’s emulsion are the various mechanisms that dictate what is actually captured. I relinquish control and hit the shutter hoping that all my planning comes to fruition but I won’t know till the film is developed. This suspense fills me with optimism and anxiety.","abstract_html":"I sit by the window, running my fingers through my hair. Getting to the ends, I hold them up to examine them. There is a golden afternoon light coming through the window. This is the magic time of day when every strand is illuminated. I sift through these tiny fissures, noticing where the breakdown starts. They are the result of wear and weakness, but sprout like tiny seedlings. Commonly seen as imperfections, I look at them with admiration. After finding the perfect split end, I hold the strand and rip it out of my scalp. I get my camera and set it on the tripod. Knowing the split will only be visible if lit from behind, I hold it in front of a frosted light box. This set up creates a silhouetted version of my hand. I take all the steps to get the right focus and exposure. I place the film holder in the camera and pull out the dark slide. Then comes the element of chance; the part that makes shooting film magical. Between the subject and the film’s emulsion are the various mechanisms that dictate what is actually captured. I relinquish control and hit the shutter hoping that all my planning comes to fruition but I won’t know till the film is developed. This suspense fills me with optimism and anxiety.","abstract_has_math":false,"creators":["Skwira, Sarah"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Cummings, Rebecca"],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-07-14","date_published":"2016-07-14","updated_at":"2026-07-24T05:58:03Z","subjects":[],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1773/36686","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Cummings, Rebecca"]},{"key":"dc:creator","label":"Author","values":["Skwira, Sarah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-07-14T16:41:30Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-07-14T16:41:30Z"]},{"key":"dc:date.issued","label":"Date","values":["2016-07-14"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["Skwira_washington_0250O_16186.pdf"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1773/36686"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Thesis (Master's)--University of Washington, 2016-06"]},{"key":"dc:description.abstract","label":"Abstract","values":["I sit by the window, running my fingers through my hair. Getting to the ends, I hold them up to examine them. There is a golden afternoon light coming through the window. This is the magic time of day when every strand is illuminated. I sift through these tiny fissures, noticing where the breakdown starts. They are the result of wear and weakness, but sprout like tiny seedlings. Commonly seen as imperfections, I look at them with admiration. After finding the perfect split end, I hold the strand and rip it out of my scalp. I get my camera and set it on the tripod. Knowing the split will only be visible if lit from behind, I hold it in front of a frosted light box. This set up creates a silhouetted version of my hand. I take all the steps to get the right focus and exposure. I place the film holder in the camera and pull out the dark slide. Then comes the element of chance; the part that makes shooting film magical. Between the subject and the film’s emulsion are the various mechanisms that dictate what is actually captured. I relinquish control and hit the shutter hoping that all my planning comes to fruition but I won’t know till the film is developed. This suspense fills me with optimism and anxiety."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Split Ends"]}]}],"canonical_facts":{"dc:contributor.advisor":["Cummings, Rebecca"],"dc:creator":["Skwira, Sarah"],"dc:date.accessioned":["2016-07-14T16:41:30Z"],"dc:date.available":["2016-07-14T16:41:30Z"],"dc:date.issued":["2016-07-14"],"dc:description":["Thesis (Master's)--University of Washington, 2016-06"],"dc:description.abstract":["I sit by the window, running my fingers through my hair. Getting to the ends, I hold them up to examine them. There is a golden afternoon light coming through the window. This is the magic time of day when every strand is illuminated. I sift through these tiny fissures, noticing where the breakdown starts. They are the result of wear and weakness, but sprout like tiny seedlings. Commonly seen as imperfections, I look at them with admiration. After finding the perfect split end, I hold the strand and rip it out of my scalp. I get my camera and set it on the tripod. Knowing the split will only be visible if lit from behind, I hold it in front of a frosted light box. This set up creates a silhouetted version of my hand. I take all the steps to get the right focus and exposure. I place the film holder in the camera and pull out the dark slide. Then comes the element of chance; the part that makes shooting film magical. Between the subject and the film’s emulsion are the various mechanisms that dictate what is actually captured. I relinquish control and hit the shutter hoping that all my planning comes to fruition but I won’t know till the film is developed. This suspense fills me with optimism and anxiety."],"dc:format.mimetype":["application/pdf"],"dc:identifier.other":["Skwira_washington_0250O_16186.pdf"],"dc:identifier.uri":["http://hdl.handle.net/1773/36686"],"dc:language.iso":["en_US"],"dc:title":["Split Ends"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T05:58:03Z"}