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Victoria University

Learning and teaching cultural connectedness from the secondary art room, or, Survival and success in a secondary art room

Abstract

dc:description.abstract

Through autoethnography, I am seeking to demonstrate how Cultural Connectedness can be developed from and in the secondary art room. My project comprises three parts, two visual exhibitions and an exegesis. The first exhibition consisted of paintings and prints around the theme of Creativity and how I am inspired by my environment at home, in my community and at work. This exhibition was called ‘Living Colour’. The second exhibition consisted of digital photographs taken in the classroom that were manipulated by Photoshop CS6 and collaged prior to the show and in situ to emphasise different meanings. This show was named ‘The Real Deal’. The exegesis fuses all aspects of the creative project and goes into depth about how my ideas were formed and how they were used to effect transformation in the secondary art room. I use the term ‘Cultural Connectedness’ to mean a feeling of completeness and confidence of themselves in their communities achieved by students through activities created in and through the visual arts.

Degree

thesis:*
Name dc:type.qualificationname
other
Level dc:type.qualificationlevel
rmaster
Grantor dc:publisher.institution
Victoria University
Year dc:date.issued
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Clemens, Charlotte

Subjects

dc:subject × 4

Rights

Language dc:language
en

Chain of custody

source
Harvested from
Victoria University (Australia)
Base URL
vuir.vu.edu.au/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Clemens, Charlotte. Learning and teaching cultural connectedness from the secondary art room, or, Survival and success in a secondary art room. rmaster thesis, Victoria University, 2014.