{"id":{"repo_id":"vu-aus","oai_identifier":"oai:eprints.vu.edu.au:16100"},"canonical_url":"https://search.dev.ndltd.org/etd/vu-aus/oai:eprints.vu.edu.au:16100","repository":{"repo_id":"vu-aus","name":"Victoria University (Australia)","base_url":"https://vuir.vu.edu.au/cgi/oai2"},"display":{"title":"By hand and eye: dance in the space of the artist’s book","abstract":"By Hand and Eye: Dance in the Space of the Artist’s Book is a practice-based research project that explores what potential there might be for dancing, or an expanded notion of dance, to be found and/or created in book form. For instance, how might a book dance, rehearse its contents? What relationships can be found or forged between the body and the artist’s book: the movement of the eye, the spacing of thought, temporality and duration, and the choreography of the page? These propositions have been explored and expanded through a tactile, experiential examination of selected artists’ books from the National Art Library (NAL) of the Victoria & Albert Museum, a translation/re-working of existing performances into book form, and the creation of unique artist-made books. The project seeks to embody and enact concepts and questions considered through the research; signalling, suggesting, amplifying, and marking, gestures and rehearsals for movement.","abstract_html":"By Hand and Eye: Dance in the Space of the Artist’s Book is a practice-based research project that explores what potential there might be for dancing, or an expanded notion of dance, to be found and/or created in book form. For instance, how might a book dance, rehearse its contents? What relationships can be found or forged between the body and the artist’s book: the movement of the eye, the spacing of thought, temporality and duration, and the choreography of the page? These propositions have been explored and expanded through a tactile, experiential examination of selected artists’ books from the National Art Library (NAL) of the Victoria & Albert Museum, a translation/re-working of existing performances into book form, and the creation of unique artist-made books. The project seeks to embody and enact concepts and questions considered through the research; signalling, suggesting, amplifying, and marking, gestures and rehearsals for movement.","abstract_has_math":false,"creators":["Walton, Judith May"],"institution":"Victoria University","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010","date_published":"2010","updated_at":"2026-07-24T06:33:22Z","subjects":["1904 Performing Arts and Creative Writing","School of Communication and the Arts","1901 Art Theory and Criticism"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Walton, Judith May"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2010"]},{"key":"dc:date.issued","label":"Date","values":["2010"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["School of Communication and the Arts"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["Victoria University"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://vuir.vu.edu.au/16100/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["1904 Performing Arts and Creative Writing","School of Communication and the Arts","1901 Art Theory and Criticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://vuir.vu.edu.au/16100/1/Judith_Walton_PhD.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["By Hand and Eye: Dance in the Space of the Artist’s Book is a practice-based research project that explores what potential there might be for dancing, or an expanded notion of dance, to be found and/or created in book form. For instance, how might a book dance, rehearse its contents? What relationships can be found or forged between the body and the artist’s book: the movement of the eye, the spacing of thought, temporality and duration, and the choreography of the page? These propositions have been explored and expanded through a tactile, experiential examination of selected artists’ books from the National Art Library (NAL) of the Victoria & Albert Museum, a translation/re-working of existing performances into book form, and the creation of unique artist-made books. The project seeks to embody and enact concepts and questions considered through the research; signalling, suggesting, amplifying, and marking, gestures and rehearsals for movement."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["By hand and eye: dance in the space of the artist’s book"]}]}],"canonical_facts":{"dc:creator":["Walton, Judith May"],"dc:date":["2010"],"dc:date.issued":["2010"],"dc:description.abstract":["By Hand and Eye: Dance in the Space of the Artist’s Book is a practice-based research project that explores what potential there might be for dancing, or an expanded notion of dance, to be found and/or created in book form. For instance, how might a book dance, rehearse its contents? What relationships can be found or forged between the body and the artist’s book: the movement of the eye, the spacing of thought, temporality and duration, and the choreography of the page? These propositions have been explored and expanded through a tactile, experiential examination of selected artists’ books from the National Art Library (NAL) of the Victoria & Albert Museum, a translation/re-working of existing performances into book form, and the creation of unique artist-made books. The project seeks to embody and enact concepts and questions considered through the research; signalling, suggesting, amplifying, and marking, gestures and rehearsals for movement."],"dc:format":["text"],"dc:identifier.uri":["https://vuir.vu.edu.au/16100/1/Judith_Walton_PhD.pdf"],"dc:language":["en"],"dc:publisher.department":["School of Communication and the Arts"],"dc:publisher.institution":["Victoria University"],"dc:relation.isreferencedby":["https://vuir.vu.edu.au/16100/"],"dc:subject":["1904 Performing Arts and Creative Writing","School of Communication and the Arts","1901 Art Theory and Criticism"],"dc:title":["By hand and eye: dance in the space of the artist’s book"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["phd"]},"updated_at":"2026-07-24T06:33:22Z"}