{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/53509"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/53509","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Grind, Mash, Distill","abstract":"There never comes a point at which we can declare any building \"finished\", and never touch it again; if we were to do this it would signal a sad sort of death and the end of the building's use, because it is by a continual process of revision that they fulfill our ever-changing needs and tastes. However, acknowledging this dynamic aspect of the nature of buildings brings the role of the architect into question; how can we design a building, make drawings and reach practical completion on a building site whilst being aware of the looming future, with its eternal punch list of alterations? Or, how can an awareness of passing time as a gradual tweaker, weatherer, and alterer of buildings be seen not as a problem or annoyance for the architect, but as a generous and reliable source of inspiration, a giver of richness, even a generator of good design? The project aims to answer this question by suggesting a way of building slowly, over decades, always looking forward and back.","abstract_html":"There never comes a point at which we can declare any building &quot;finished&quot;, and never touch it again; if we were to do this it would signal a sad sort of death and the end of the building&#x27;s use, because it is by a continual process of revision that they fulfill our ever-changing needs and tastes. However, acknowledging this dynamic aspect of the nature of buildings brings the role of the architect into question; how can we design a building, make drawings and reach practical completion on a building site whilst being aware of the looming future, with its eternal punch list of alterations? Or, how can an awareness of passing time as a gradual tweaker, weatherer, and alterer of buildings be seen not as a problem or annoyance for the architect, but as a generous and reliable source of inspiration, a giver of richness, even a generator of good design? 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