An urban waterfront room in Georgetown: an architecture school

Proportions Dangerous liaisons Ultimately this project was approached As a kind of architectural choreography. As in all choreography motion plays a Major role. The motion of the participants Through the spaces, and the placement of The pieces in relation to each other. On a Smaller scale a choreography of duality. Mute, mute, light Enclosed space, enclosed space, volume Horizontal and vertical This project being a vehicle for discovery Various amounts of play and exploration Are allowed within this choreography. The amount of play allowed is both the strength and weakness of this project. With something of this range and scope there are: Direct hits, Near hits, Near misses, Direct misses, All within the whole. Finally as with anything that is thoroughly Done it is fuel for beginning and not an end In and of itself.

Name thesis:degree_name

Master of Architecture

Level thesis:degree_level

masters

Discipline thesis:degree_discipline

Architecture

Department dc:contributor.department

Architecture

Grantor dc:publisher

Virginia Polytechnic Institute and State University

Year dc:date.issued

1995

Author dc:creator

• Comella, Lawrence

Chair dc:contributor.committeechair

• Hunt, Gregory K.

Committee members dc:contributor.committeemember

• Holt, Jaan
• Piedmont-Palladino, Susan C.

Statement dc:rights

• In Copyright

Licence dc:rights.uri

• http://rightsstatements.org/vocab/InC/1.0/

Language dc:language.iso

en

Handle dc:identifier.uri

http://hdl.handle.net/10919/53394

OAI identifier oai:identifier

oai:vtechworks.lib.vt.edu:10919/53394