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Virginia Tech

j u x t a p o s e d: A Revelatory Appraoch to Reconcile Past and Present

Abstract

dc:description.abstract

Carlo Scarpa, Italian architect, designer, painter, had a vision of a deliberate juxtaposition of the presence of the past against the backdrop of the present. Such are the conditions that describe various palimpsests, partially legible windows into the past. Reconstructing the Ca'Foscari (1935-37), Scarpa's first real commission marked the realized reconciliation between the old and the new. The finished work of the Ca'Foscari reflects the poetic manner in which the presence of the history and the present moment are allowed to be what they are no more, no less; yet the two operate in ethereal symbiosis. A perforated semi-transparency and sophisticated manipulation of light evolved to become the governing strategies for future projects. Revelatory changes in materials establish a relationship with an evolving fabric. Scarpa believed that arranging such exhibits as the Ca'Foscari project kept these delicate reconciliations at the forefront of one's mind. In an era of placelessness, Niall Kirkwood states that history's failures are repeating themselves. In efforts to "Hold Our Ground" he make the revelation that spaces built from the 1990's on may deteriorate faster than expected as landscapes evolve. Spaces are redesigned with new forms masking what was. Kirkwood proposes a working paradigm, similar to a palimpsest, to provide legible insight into a site's past. This thesis investigation is intended to explore possible reconfigurations of history's artifacts, lending themselves to a dialogue between the past and the present as applied to a conceptual palimpsest. This is possible taking Scarpa's ability of weaving a new work into the ongoing dialogue of an evolving fabric paired with the fusions of modern/historical impulses of sculptor Isamu Noguchi strung with Walter Hood's improvisational analysis whereas the site informs the design. This design project will take form as a revelatory unveiling of Love Plaza's history, one of Philadelphia's many reused canvasses.

Degree

thesis:*
Name thesis:degree_name
Master of Landscape Architecture
Level thesis:degree_level
masters
Discipline thesis:degree_discipline
Landscape Architecture
Department dc:contributor.department
Landscape Architecture
Grantor dc:publisher
Virginia Tech
Year dc:date.issued
2005

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Dawson, Michele Renee
Chair dc:contributor.committeechair
  • Katen, Brian F.
Committee members dc:contributor.committeemember
  • Johnson, Benjamin C.
  • Bork, Dean R.

Subjects

dc:subject × 3

Rights

dc:rights
Statement dc:rights
  • In Copyright

Identifiers

dc:identifier.*
Dc Identifier Other
etd-08142005-134334
OAI identifier oai:identifier
oai:vtechworks.lib.vt.edu:10919/34528

Chain of custody

source
Harvested from
Virginia Tech
Base URL
vtechworks.lib.vt.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Dawson, Michele Renee. j u x t a p o s e d: A Revelatory Appraoch to Reconcile Past and Present. masters thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/34528