{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/34078"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/34078","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"On Dancing with Architecture","abstract":"\"I would like to - sometime - build a theater which has natural light...\" Louis I. Kahn \"Space and the Inspirations\" 1967 Titled \"On Dancing with Architecture\" and in reference to Merce Cunningham's choreography, this thesis project is the notion of overlaying architecture as a third autonomous layer to the existing ones in the performance arts that are dancing and music. Since the project is equally concerned with the performers and the audience as well as with the general public, it shall contain a nonstandard performance stage for modern dance as well as general public space. However, what does it mean to give shape to the notion of \"Dancing with Architecture\" in actual physicality? In order to investigate an appropriate answer to this problem, the project offers a unique opportunity of applying architecture's power of representation in rich analogies and metaphors. Therefore more than designing just a theater that serves for dance, this space shall be a place that, in its appearance as a whole and in detail, represents the tale of its initial challenge and investigation. In addition, and as part of being a nonstandard stage for modern dance, the project shall critically review conventions in stage space and offers the opportunity to investigate it under a different scope, for instance through the question of how to increase the spectator's spatial experiences and interactivity with the performers, or through exploiting natural phenomena such as daylight, wind, water, landscape, time and gravity as stimulating factors to introduce new facilities in modern dance.","abstract_html":""I would like to - sometime - build a theater which has natural light..." Louis I. Kahn "Space and the Inspirations" 1967 Titled "On Dancing with Architecture" and in reference to Merce Cunningham's choreography, this thesis project is the notion of overlaying architecture as a third autonomous layer to the existing ones in the performance arts that are dancing and music. Since the project is equally concerned with the performers and the audience as well as with the general public, it shall contain a nonstandard performance stage for modern dance as well as general public space. However, what does it mean to give shape to the notion of "Dancing with Architecture" in actual physicality? In order to investigate an appropriate answer to this problem, the project offers a unique opportunity of applying architecture's power of representation in rich analogies and metaphors. Therefore more than designing just a theater that serves for dance, this space shall be a place that, in its appearance as a whole and in detail, represents the tale of its initial challenge and investigation. In addition, and as part of being a nonstandard stage for modern dance, the project shall critically review conventions in stage space and offers the opportunity to investigate it under a different scope, for instance through the question of how to increase the spectator's spatial experiences and interactivity with the performers, or through exploiting natural phenomena such as daylight, wind, water, landscape, time and gravity as stimulating factors to introduce new facilities in modern dance.","abstract_has_math":false,"creators":["Lorenzen-Schmidt, Timo"],"institution":"Virginia Tech","degree_name":"Master of Architecture","degree_level":"masters","degree_discipline":"Architecture","degree_department":"Architecture","school":null,"contributors":[],"advisors":[],"committee_chairs":["Emmons, Paul F."],"committee_members":["Piedmont-Palladino, Susan C.","Frascari, Marco"],"year":2004,"date_issued":"2004-09-17","date_published":"2004-09-17","updated_at":"2026-07-22T22:19:32Z","subjects":["Architecture","Dance","Representation","Shadow","Light","Magic"],"languages":[],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-07202005-202406"],"render_values":[{"text":"etd-07202005-202406","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/34078","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Emmons, Paul F."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Piedmont-Palladino, Susan C.","Frascari, Marco"]},{"key":"dc:contributor.department","label":"Department","values":["Architecture"]},{"key":"dc:creator","label":"Author","values":["Lorenzen-Schmidt, Timo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-03-14T20:41:41Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-03-14T20:41:41Z","2005-08-05"]},{"key":"dc:date.issued","label":"Date","values":["2004-09-17"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Architecture"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Architecture"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Architecture","Dance","Representation","Shadow","Light","Magic"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-07202005-202406"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/34078"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["\"I would like to - sometime - build a theater which has natural light...\" Louis I. 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Therefore more than designing just a theater that serves for dance, this space shall be a place that, in its appearance as a whole and in detail, represents the tale of its initial challenge and investigation. In addition, and as part of being a nonstandard stage for modern dance, the project shall critically review conventions in stage space and offers the opportunity to investigate it under a different scope, for instance through the question of how to increase the spectator's spatial experiences and interactivity with the performers, or through exploiting natural phenomena such as daylight, wind, water, landscape, time and gravity as stimulating factors to introduce new facilities in modern dance."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Architecture"]},{"key":"dc:title","label":"Title","values":["On Dancing with Architecture"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Emmons, Paul F."],"dc:contributor.committeemember":["Piedmont-Palladino, Susan C.","Frascari, Marco"],"dc:contributor.department":["Architecture"],"dc:creator":["Lorenzen-Schmidt, Timo"],"dc:date.accessioned":["2014-03-14T20:41:41Z"],"dc:date.available":["2014-03-14T20:41:41Z","2005-08-05"],"dc:date.issued":["2004-09-17"],"dc:description.abstract":["\"I would like to - sometime - build a theater which has natural light...\" Louis I. 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Therefore more than designing just a theater that serves for dance, this space shall be a place that, in its appearance as a whole and in detail, represents the tale of its initial challenge and investigation. 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