{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/33422"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/33422","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Rhythmic Layering: The Baladi Project","abstract":"This thesis began with a program, the belly dance studio; the dance inspired the architecture through the translation of Arabic music into physical measurement as well as less tangible attributes that shaped the final design. There was an attempt to find a link between dance and architecture. Both dance and architecture can be physical representations of something less tangible. In the raqs sharqi, the Egyptian solo dance, the drummer creates a rhythm, normally improvised at the performance, and the dancer then follows the drummer in improvising her dance to the rhythm. Thus, this thesis proposes that a drum rhythm could possibly be translated into physical measurements that could then order physical objects. By performing the same function as dance, architecture can embody the dance.","abstract_html":"This thesis began with a program, the belly dance studio; the dance inspired the architecture through the translation of Arabic music into physical measurement as well as less tangible attributes that shaped the final design. There was an attempt to find a link between dance and architecture. Both dance and architecture can be physical representations of something less tangible. In the raqs sharqi, the Egyptian solo dance, the drummer creates a rhythm, normally improvised at the performance, and the dancer then follows the drummer in improvising her dance to the rhythm. Thus, this thesis proposes that a drum rhythm could possibly be translated into physical measurements that could then order physical objects. By performing the same function as dance, architecture can embody the dance.","abstract_has_math":false,"creators":["Moye, Kristin Rebecca"],"institution":"Virginia Tech","degree_name":"Master of Architecture","degree_level":"masters","degree_discipline":"Architecture","degree_department":"Architecture","school":null,"contributors":[],"advisors":[],"committee_chairs":["Rott, Hans Christian"],"committee_members":["Doan, Patrick A.","Bryon, Hilary"],"year":2012,"date_issued":"2012-05-01","date_published":"2012-05-01","updated_at":"2026-07-22T22:20:12Z","subjects":["rhythm","layering","dance","baladi"],"languages":["en"],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-06042012-162348"],"render_values":[{"text":"etd-06042012-162348","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/33422","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Rott, Hans Christian"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Doan, Patrick A.","Bryon, Hilary"]},{"key":"dc:contributor.department","label":"Department","values":["Architecture"]},{"key":"dc:creator","label":"Author","values":["Moye, Kristin Rebecca"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-03-14T20:39:22Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-03-14T20:39:22Z","2012-06-26"]},{"key":"dc:date.issued","label":"Date","values":["2012-05-01"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.dcmitype","label":"Dc Type Dcmitype","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Architecture"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Architecture"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["rhythm","layering","dance","baladi"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-06042012-162348"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/33422"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis began with a program, the belly dance studio; the dance inspired the architecture through the translation of Arabic music into physical measurement as well as less tangible attributes that shaped the final design. There was an attempt to find a link between dance and architecture. Both dance and architecture can be physical representations of something less tangible. In the raqs sharqi, the Egyptian solo dance, the drummer creates a rhythm, normally improvised at the performance, and the dancer then follows the drummer in improvising her dance to the rhythm. Thus, this thesis proposes that a drum rhythm could possibly be translated into physical measurements that could then order physical objects. By performing the same function as dance, architecture can embody the dance."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Architecture"]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Rhythmic Layering: The Baladi Project"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Rott, Hans Christian"],"dc:contributor.committeemember":["Doan, Patrick A.","Bryon, Hilary"],"dc:contributor.department":["Architecture"],"dc:creator":["Moye, Kristin Rebecca"],"dc:date.accessioned":["2014-03-14T20:39:22Z"],"dc:date.available":["2014-03-14T20:39:22Z","2012-06-26"],"dc:date.issued":["2012-05-01"],"dc:description.abstract":["This thesis began with a program, the belly dance studio; the dance inspired the architecture through the translation of Arabic music into physical measurement as well as less tangible attributes that shaped the final design. There was an attempt to find a link between dance and architecture. Both dance and architecture can be physical representations of something less tangible. In the raqs sharqi, the Egyptian solo dance, the drummer creates a rhythm, normally improvised at the performance, and the dancer then follows the drummer in improvising her dance to the rhythm. Thus, this thesis proposes that a drum rhythm could possibly be translated into physical measurements that could then order physical objects. By performing the same function as dance, architecture can embody the dance."],"dc:description.degree":["Master of Architecture"],"dc:format.mimetype":["application/pdf"],"dc:identifier.other":["etd-06042012-162348"],"dc:identifier.uri":["http://hdl.handle.net/10919/33422"],"dc:language.iso":["en"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["rhythm","layering","dance","baladi"],"dc:title":["Rhythmic Layering: The Baladi Project"],"dc:type":["Thesis"],"dc:type.dcmitype":["Text"],"thesis:degree_discipline":["Architecture"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Architecture"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:20:12Z"}