{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/32592"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/32592","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Re-Defining C.S. Lewis and Philip Pullman: Conventional and Progressive Heroes and Heroines in The Lion, The Witch, and The Wardrobe, and The Golden Compass","abstract":"C.S. Lewis and Philip Pullman are two very popular authors of British Children's Fantasy. Their books The Lion, The Witch, and The Wardrobe and The Golden Compass straddle the period of writing that Karen Patricia Smith calls the Dynamic Stage of British Fantasy: from 1950 to the present. Both of these books are part of a larger series and both have been made into recent motion pictures by Hollywood. This paper explores these two books through the lens of their conventional and progressive authors. I discuss in detail the gifts that the heroes and heroines are given, the setting of these books, and the function of destiny and prophecy in order to explore the irony of these books: C.S. Lewis, often viewed as the more conventional author by scholars, is in fact more progressive than his contemporary counterpart.","abstract_html":"C.S. Lewis and Philip Pullman are two very popular authors of British Children's Fantasy. Their books The Lion, The Witch, and The Wardrobe and The Golden Compass straddle the period of writing that Karen Patricia Smith calls the Dynamic Stage of British Fantasy: from 1950 to the present. Both of these books are part of a larger series and both have been made into recent motion pictures by Hollywood. This paper explores these two books through the lens of their conventional and progressive authors. I discuss in detail the gifts that the heroes and heroines are given, the setting of these books, and the function of destiny and prophecy in order to explore the irony of these books: C.S. Lewis, often viewed as the more conventional author by scholars, is in fact more progressive than his contemporary counterpart.","abstract_has_math":false,"creators":["McKagen, Elizabeth Leigh"],"institution":"Virginia Tech","degree_name":"Master of Arts","degree_level":"masters","degree_discipline":"English","degree_department":"English","school":null,"contributors":[],"advisors":[],"committee_chairs":["Stahl, John D."],"committee_members":["Colaianne, Anthony J.","George, Diana L."],"year":2009,"date_issued":"2009-04-28","date_published":"2009-04-28","updated_at":"2026-07-22T22:19:13Z","subjects":["C.S Lewis","Philip Pullman","heroes and heroines","conventional","progressive"],"languages":[],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-05112009-142858"],"render_values":[{"text":"etd-05112009-142858","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/32592","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Stahl, John D."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Colaianne, Anthony J.","George, Diana L."]},{"key":"dc:contributor.department","label":"Department","values":["English"]},{"key":"dc:creator","label":"Author","values":["McKagen, Elizabeth Leigh"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-03-14T20:36:20Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-03-14T20:36:20Z","2009-06-15"]},{"key":"dc:date.issued","label":"Date","values":["2009-04-28"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["C.S Lewis","Philip Pullman","heroes and heroines","conventional","progressive"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-05112009-142858"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/32592"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["C.S. Lewis and Philip Pullman are two very popular authors of British Children's Fantasy. Their books The Lion, The Witch, and The Wardrobe and The Golden Compass straddle the period of writing that Karen Patricia Smith calls the Dynamic Stage of British Fantasy: from 1950 to the present. Both of these books are part of a larger series and both have been made into recent motion pictures by Hollywood. This paper explores these two books through the lens of their conventional and progressive authors. I discuss in detail the gifts that the heroes and heroines are given, the setting of these books, and the function of destiny and prophecy in order to explore the irony of these books: C.S. Lewis, often viewed as the more conventional author by scholars, is in fact more progressive than his contemporary counterpart."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Arts"]},{"key":"dc:title","label":"Title","values":["Re-Defining C.S. Lewis and Philip Pullman: Conventional and Progressive Heroes and Heroines in The Lion, The Witch, and The Wardrobe, and The Golden Compass"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Stahl, John D."],"dc:contributor.committeemember":["Colaianne, Anthony J.","George, Diana L."],"dc:contributor.department":["English"],"dc:creator":["McKagen, Elizabeth Leigh"],"dc:date.accessioned":["2014-03-14T20:36:20Z"],"dc:date.available":["2014-03-14T20:36:20Z","2009-06-15"],"dc:date.issued":["2009-04-28"],"dc:description.abstract":["C.S. Lewis and Philip Pullman are two very popular authors of British Children's Fantasy. Their books The Lion, The Witch, and The Wardrobe and The Golden Compass straddle the period of writing that Karen Patricia Smith calls the Dynamic Stage of British Fantasy: from 1950 to the present. Both of these books are part of a larger series and both have been made into recent motion pictures by Hollywood. This paper explores these two books through the lens of their conventional and progressive authors. I discuss in detail the gifts that the heroes and heroines are given, the setting of these books, and the function of destiny and prophecy in order to explore the irony of these books: C.S. Lewis, often viewed as the more conventional author by scholars, is in fact more progressive than his contemporary counterpart."],"dc:description.degree":["Master of Arts"],"dc:identifier.other":["etd-05112009-142858"],"dc:identifier.uri":["http://hdl.handle.net/10919/32592"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["C.S Lewis","Philip Pullman","heroes and heroines","conventional","progressive"],"dc:title":["Re-Defining C.S. 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