{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/31763"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/31763","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Forget Jerusalem: William Faulkner's Hyperreal Novel","abstract":"This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulkner's eleventh novel—the oft-neglected If I Forget Thee, Jerusalem—as a proto-postmodern text which, when examined by the light of Baudrillard's theory of simulacra and simulations, informs the transition from Modernism to Postmodernism. This paper treats each author's work as a lens through which to view the other. The result is both a re-vision of Faulkner's social philosophy and a re-examination of the epistemic break that separates Faulkner's philosophy from that of Baudrillard.","abstract_html":"This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulkner&#x27;s eleventh novel—the oft-neglected If I Forget Thee, Jerusalem—as a proto-postmodern text which, when examined by the light of Baudrillard&#x27;s theory of simulacra and simulations, informs the transition from Modernism to Postmodernism. This paper treats each author&#x27;s work as a lens through which to view the other. The result is both a re-vision of Faulkner&#x27;s social philosophy and a re-examination of the epistemic break that separates Faulkner&#x27;s philosophy from that of Baudrillard.","abstract_has_math":false,"creators":["Germana, Michael Joseph"],"institution":"Virginia Tech","degree_name":"Master of Arts","degree_level":"masters","degree_discipline":"English","degree_department":"English","school":null,"contributors":[],"advisors":[],"committee_chairs":["Hausman, Bernice L."],"committee_members":["Hatfield, Leonard L.","Kiebuzinska, Christine"],"year":1999,"date_issued":"1999-04-14","date_published":"1999-04-14","updated_at":"2026-07-22T22:18:52Z","subjects":["Critical Theory","Faulkner","Modernism","Baudrillard","Postmodernism"],"languages":["en"],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-041899-130309"],"render_values":[{"text":"etd-041899-130309","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/31763","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Hausman, Bernice L."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Hatfield, Leonard L.","Kiebuzinska, Christine"]},{"key":"dc:contributor.department","label":"Department","values":["English"]},{"key":"dc:creator","label":"Author","values":["Germana, Michael Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-03-14T20:33:51Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-03-14T20:33:51Z","2000-04-27"]},{"key":"dc:date.issued","label":"Date","values":["1999-04-14"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Critical Theory","Faulkner","Modernism","Baudrillard","Postmodernism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-041899-130309"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/31763"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulkner's eleventh novel—the oft-neglected If I Forget Thee, Jerusalem—as a proto-postmodern text which, when examined by the light of Baudrillard's theory of simulacra and simulations, informs the transition from Modernism to Postmodernism. This paper treats each author's work as a lens through which to view the other. The result is both a re-vision of Faulkner's social philosophy and a re-examination of the epistemic break that separates Faulkner's philosophy from that of Baudrillard."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Arts"]},{"key":"dc:title","label":"Title","values":["Forget Jerusalem: William Faulkner's Hyperreal Novel"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Hausman, Bernice L."],"dc:contributor.committeemember":["Hatfield, Leonard L.","Kiebuzinska, Christine"],"dc:contributor.department":["English"],"dc:creator":["Germana, Michael Joseph"],"dc:date.accessioned":["2014-03-14T20:33:51Z"],"dc:date.available":["2014-03-14T20:33:51Z","2000-04-27"],"dc:date.issued":["1999-04-14"],"dc:description.abstract":["This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulkner's eleventh novel—the oft-neglected If I Forget Thee, Jerusalem—as a proto-postmodern text which, when examined by the light of Baudrillard's theory of simulacra and simulations, informs the transition from Modernism to Postmodernism. This paper treats each author's work as a lens through which to view the other. The result is both a re-vision of Faulkner's social philosophy and a re-examination of the epistemic break that separates Faulkner's philosophy from that of Baudrillard."],"dc:description.degree":["Master of Arts"],"dc:identifier.other":["etd-041899-130309"],"dc:identifier.uri":["http://hdl.handle.net/10919/31763"],"dc:language.iso":["en"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["Critical Theory","Faulkner","Modernism","Baudrillard","Postmodernism"],"dc:title":["Forget Jerusalem: William Faulkner's Hyperreal Novel"],"dc:type":["Thesis"],"thesis:degree_discipline":["English"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:18:52Z"}