{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/123903"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/123903","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"The Grief You Can Swallow and the Rage You Can't","abstract":"\"The Grief You Can Swallow and the Rage You Can't\" investigates the evolution of elegiac form through a collection of interconnected poems exploring contemporary loss. The manuscript develops new poetic architectures for expressing grief, employing multiple formal strategies including clinical studies, psalms, concrete poetry, and variant realities. Through the lens of personal loss the collection examines how traditional elegiac containers strain to hold modern experiences of mourning. The work engages with established forms like the ghazal and tanka while simultaneously developing experimental structures that challenge conventional approaches to grief poetry. Central to the manuscript is the metaphor of mutation, both in its exploration of cancer and in its formal innovations. The collection's structure moves from a communal invitation to a private dreamscape, ultimately ending without punctuation to suggest grief's resistance to closure. By integrating clinical language with raw emotion, developing rage as a distinct poetic dialect, and creating hybrid forms that bridge presence and absence, the manuscript proposes new possibilities for elegiac expression in the contemporary era.","abstract_html":""The Grief You Can Swallow and the Rage You Can't" investigates the evolution of elegiac form through a collection of interconnected poems exploring contemporary loss. The manuscript develops new poetic architectures for expressing grief, employing multiple formal strategies including clinical studies, psalms, concrete poetry, and variant realities. Through the lens of personal loss the collection examines how traditional elegiac containers strain to hold modern experiences of mourning. The work engages with established forms like the ghazal and tanka while simultaneously developing experimental structures that challenge conventional approaches to grief poetry. Central to the manuscript is the metaphor of mutation, both in its exploration of cancer and in its formal innovations. The collection's structure moves from a communal invitation to a private dreamscape, ultimately ending without punctuation to suggest grief's resistance to closure. By integrating clinical language with raw emotion, developing rage as a distinct poetic dialect, and creating hybrid forms that bridge presence and absence, the manuscript proposes new possibilities for elegiac expression in the contemporary era.","abstract_has_math":false,"creators":["Dorrah, Kapreece"],"institution":"Virginia Tech","degree_name":"Master of Fine Arts","degree_level":"masters","degree_discipline":"Creative Writing","degree_department":"English","school":null,"contributors":[],"advisors":[],"committee_chairs":["Joseph, Janine Alissandra Fernandez"],"committee_members":["Terazawa, Sophia Emi","Patel, Soham Suresh"],"year":2025,"date_issued":"2025-01-03","date_published":"2025-01-03","updated_at":"2026-07-22T22:18:50Z","subjects":["contemporary elegy","grief poetry","rage","experimental forms","mutation","clinical poetry","memory","trauma","cancer metaphor","visual poetry","psalms","tanka","ghazal","African American poetry","hip-hop poetics"],"languages":["en"],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:42427"],"render_values":[{"text":"vt_gsexam:42427","href":null,"code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10919/123903","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Joseph, Janine Alissandra Fernandez"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Terazawa, Sophia Emi","Patel, Soham Suresh"]},{"key":"dc:contributor.department","label":"Department","values":["English"]},{"key":"dc:creator","label":"Author","values":["Dorrah, Kapreece"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-01-04T09:01:28Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-01-04T09:01:28Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-01-03"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Creative Writing"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["contemporary elegy","grief poetry","rage","experimental forms","mutation","clinical poetry","memory","trauma","cancer metaphor","visual poetry","psalms","tanka","ghazal","African American poetry","hip-hop poetics"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:42427"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10919/123903"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["\"The Grief You Can Swallow and the Rage You Can't\" investigates the evolution of elegiac form through a collection of interconnected poems exploring contemporary loss. The manuscript develops new poetic architectures for expressing grief, employing multiple formal strategies including clinical studies, psalms, concrete poetry, and variant realities. Through the lens of personal loss the collection examines how traditional elegiac containers strain to hold modern experiences of mourning. The work engages with established forms like the ghazal and tanka while simultaneously developing experimental structures that challenge conventional approaches to grief poetry. Central to the manuscript is the metaphor of mutation, both in its exploration of cancer and in its formal innovations. The collection's structure moves from a communal invitation to a private dreamscape, ultimately ending without punctuation to suggest grief's resistance to closure. By integrating clinical language with raw emotion, developing rage as a distinct poetic dialect, and creating hybrid forms that bridge presence and absence, the manuscript proposes new possibilities for elegiac expression in the contemporary era."]},{"key":"dc:description.abstractgeneral","label":"General Abstract","values":["\"The Grief You Can Swallow and the Rage You Can't\" explores how we process the loss of loved ones in today's digital age. This collection of poems follows a son's journey through grief after his mother's death, using various poetic forms to capture different aspects of mourning - from clinical hospital reports to dream sequences. The poems explore how grief changes shape over time, much like cancer cells mutate, and how rage becomes its own form of remembrance. Moving between childhood memories in convenience stores, imagined alternate realities, and surreal dreams where the mother still lives, the collection suggests that modern grief refuses simple resolution. Instead of trying to \"move on,\" these poems propose that loss becomes part of our DNA, constantly evolving but never truly ending. Through both traditional poetry forms and experimental approaches, the manuscript examines how we carry grief in an age where our loved ones leave behind both physical and digital echoes."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Fine Arts"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["ETD"]},{"key":"dc:title","label":"Title","values":["The Grief You Can Swallow and the Rage You Can't"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Joseph, Janine Alissandra Fernandez"],"dc:contributor.committeemember":["Terazawa, Sophia Emi","Patel, Soham Suresh"],"dc:contributor.department":["English"],"dc:creator":["Dorrah, Kapreece"],"dc:date.accessioned":["2025-01-04T09:01:28Z"],"dc:date.available":["2025-01-04T09:01:28Z"],"dc:date.issued":["2025-01-03"],"dc:description.abstract":["\"The Grief You Can Swallow and the Rage You Can't\" investigates the evolution of elegiac form through a collection of interconnected poems exploring contemporary loss. 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Instead of trying to \"move on,\" these poems propose that loss becomes part of our DNA, constantly evolving but never truly ending. Through both traditional poetry forms and experimental approaches, the manuscript examines how we carry grief in an age where our loved ones leave behind both physical and digital echoes."],"dc:description.degree":["Master of Fine Arts"],"dc:format.medium":["ETD"],"dc:identifier.other":["vt_gsexam:42427"],"dc:identifier.uri":["https://hdl.handle.net/10919/123903"],"dc:language.iso":["en"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["contemporary elegy","grief poetry","rage","experimental forms","mutation","clinical poetry","memory","trauma","cancer metaphor","visual poetry","psalms","tanka","ghazal","African American poetry","hip-hop poetics"],"dc:title":["The Grief You Can Swallow and the Rage You Can't"],"dc:type":["Thesis"],"thesis:degree_discipline":["Creative Writing"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Fine Arts"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:18:50Z"}