{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/117200"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/117200","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"transgression","abstract":"\"transgression\" is a poetry collection with claws and nail polish. Across four acts, Reres uses a chorus of voices to interrogate the role of the transgressing woman—both present and past, privately and publicly. Transgressing, for Reres, is a performance. Moreover, it is a performance in which women have been asked, coerced—even forced—to participate for millenia. By stepping into the role of the transgressing woman deliberately, Reres turns this tradition on its head. In these pages, she shows that there is power in putting on masks and costumes, just as there is power in taking them off. The difference—between performance as power and performance as prison—resides in the freedom to choose.","abstract_html":""transgression" is a poetry collection with claws and nail polish. Across four acts, Reres uses a chorus of voices to interrogate the role of the transgressing woman—both present and past, privately and publicly. Transgressing, for Reres, is a performance. Moreover, it is a performance in which women have been asked, coerced—even forced—to participate for millenia. By stepping into the role of the transgressing woman deliberately, Reres turns this tradition on its head. In these pages, she shows that there is power in putting on masks and costumes, just as there is power in taking them off. The difference—between performance as power and performance as prison—resides in the freedom to choose.","abstract_has_math":false,"creators":["Reres, Shannon Elizabeth"],"institution":"Virginia Tech","degree_name":"Master of Fine Arts","degree_level":"masters","degree_discipline":"Creative Writing","degree_department":"English","school":null,"contributors":[],"advisors":[],"committee_chairs":["Terazawa, Sophia Emi"],"committee_members":["Roy, Lucinda H.","Queen, Khadijah"],"year":2023,"date_issued":"2023-12-14","date_published":"2023-12-14","updated_at":"2026-07-22T22:19:37Z","subjects":["appetite","audience","belief","blue","body","bones","broken","church","cloth","cup","curtains","debt","dog","flowers","fly","fragments","fruit","garden","God","ground","hell","ideal","interruption","intermission","light"],"languages":["en"],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:39180"],"render_values":[{"text":"vt_gsexam:39180","href":null,"code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10919/117200","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Terazawa, Sophia Emi"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Roy, Lucinda H.","Queen, Khadijah"]},{"key":"dc:contributor.department","label":"Department","values":["English"]},{"key":"dc:creator","label":"Author","values":["Reres, Shannon Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2023-12-15T09:00:48Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2023-12-15T09:00:48Z"]},{"key":"dc:date.issued","label":"Date","values":["2023-12-14"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Creative Writing"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["appetite","audience","belief","blue","body","bones","broken","church","cloth","cup","curtains","debt","dog","flowers","fly","fragments","fruit","garden","God","ground","hell","ideal","interruption","intermission","light"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:39180"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10919/117200"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["\"transgression\" is a poetry collection with claws and nail polish. Across four acts, Reres uses a chorus of voices to interrogate the role of the transgressing woman—both present and past, privately and publicly. Transgressing, for Reres, is a performance. Moreover, it is a performance in which women have been asked, coerced—even forced—to participate for millenia. By stepping into the role of the transgressing woman deliberately, Reres turns this tradition on its head. In these pages, she shows that there is power in putting on masks and costumes, just as there is power in taking them off. The difference—between performance as power and performance as prison—resides in the freedom to choose."]},{"key":"dc:description.abstractgeneral","label":"General Abstract","values":["\"transgression\" is a poetry collection."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Fine Arts"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["ETD"]},{"key":"dc:title","label":"Title","values":["transgression"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Terazawa, Sophia Emi"],"dc:contributor.committeemember":["Roy, Lucinda H.","Queen, Khadijah"],"dc:contributor.department":["English"],"dc:creator":["Reres, Shannon Elizabeth"],"dc:date.accessioned":["2023-12-15T09:00:48Z"],"dc:date.available":["2023-12-15T09:00:48Z"],"dc:date.issued":["2023-12-14"],"dc:description.abstract":["\"transgression\" is a poetry collection with claws and nail polish. Across four acts, Reres uses a chorus of voices to interrogate the role of the transgressing woman—both present and past, privately and publicly. Transgressing, for Reres, is a performance. Moreover, it is a performance in which women have been asked, coerced—even forced—to participate for millenia. By stepping into the role of the transgressing woman deliberately, Reres turns this tradition on its head. In these pages, she shows that there is power in putting on masks and costumes, just as there is power in taking them off. The difference—between performance as power and performance as prison—resides in the freedom to choose."],"dc:description.abstractgeneral":["\"transgression\" is a poetry collection."],"dc:description.degree":["Master of Fine Arts"],"dc:format.medium":["ETD"],"dc:identifier.other":["vt_gsexam:39180"],"dc:identifier.uri":["https://hdl.handle.net/10919/117200"],"dc:language.iso":["en"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["appetite","audience","belief","blue","body","bones","broken","church","cloth","cup","curtains","debt","dog","flowers","fly","fragments","fruit","garden","God","ground","hell","ideal","interruption","intermission","light"],"dc:title":["transgression"],"dc:type":["Thesis"],"thesis:degree_discipline":["Creative Writing"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Fine Arts"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:19:37Z"}