{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/101701"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/101701","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Bodies and Borders: Gendered Nationalism in Contemporary Poland","abstract":"The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation.","abstract_html":"The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation.","abstract_has_math":false,"creators":["Palermo, Rachel Elizabeth"],"institution":"Virginia Tech","degree_name":"Master of Arts","degree_level":"masters","degree_discipline":"Political Science","degree_department":"Political Science","school":null,"contributors":[],"advisors":[],"committee_chairs":["Dixit, Priya"],"committee_members":["Nelson, Scott G.","Daggett, Cara New"],"year":2019,"date_issued":"2019-07-10","date_published":"2019-07-10","updated_at":"2026-07-22T22:19:41Z","subjects":["nationalism","Poland","Gender","museum","Law and Justice Party","PiS","patriarchy"],"languages":[],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:21125"],"render_values":[{"text":"vt_gsexam:21125","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/101701","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Dixit, Priya"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Nelson, Scott G.","Daggett, Cara New"]},{"key":"dc:contributor.department","label":"Department","values":["Political Science"]},{"key":"dc:creator","label":"Author","values":["Palermo, Rachel Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2021-01-01T07:00:20Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2021-01-01T07:00:20Z"]},{"key":"dc:date.issued","label":"Date","values":["2019-07-10"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Political Science"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["nationalism","Poland","Gender","museum","Law and Justice Party","PiS","patriarchy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["vt_gsexam:21125"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/101701"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation."]},{"key":"dc:description.abstractgeneral","label":"General Abstract","values":["The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Arts"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["ETD"]},{"key":"dc:title","label":"Title","values":["Bodies and Borders: Gendered Nationalism in Contemporary Poland"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Dixit, Priya"],"dc:contributor.committeemember":["Nelson, Scott G.","Daggett, Cara New"],"dc:contributor.department":["Political Science"],"dc:creator":["Palermo, Rachel Elizabeth"],"dc:date.accessioned":["2021-01-01T07:00:20Z"],"dc:date.available":["2021-01-01T07:00:20Z"],"dc:date.issued":["2019-07-10"],"dc:description.abstract":["The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation."],"dc:description.abstractgeneral":["The 11th of November 2018, marked the 100th year anniversary of Poland regaining independence in 1918, following nearly 123 years of partition. To commemorate this centennial anniversary, museums and cultural institutions around the country hosted exhibitions presenting national identity and narratives. In this thesis, I compare two such exhibitions in Warsaw, one hosted by the Warsaw National Museum and the other housed in the Warsaw Modern Art Museum. I argue that the employment of feminine figures as allegorical representations of the nation within the Krzycząc: Polska! Niepodległa 1918 (Shouting: Poland! Independence 1918), exhibition of the Warsaw National Museum, serves as an illustrative example of how women have historically, and continue to be, made physical and symbolic bearers of an exclusivist version of Polish national identity. The Niepodległe (Independent Women) exhibition housed in the Warsaw Modern Art Museum, on the other hand, presents an alternative, and more inclusive, means of national identity formation through acknowledging the heterogenous roles and identities taken up by the actual women of the nation."],"dc:description.degree":["Master of Arts"],"dc:format.medium":["ETD"],"dc:identifier.other":["vt_gsexam:21125"],"dc:identifier.uri":["http://hdl.handle.net/10919/101701"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["nationalism","Poland","Gender","museum","Law and Justice Party","PiS","patriarchy"],"dc:title":["Bodies and Borders: Gendered Nationalism in Contemporary Poland"],"dc:type":["Thesis"],"thesis:degree_discipline":["Political Science"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:19:41Z"}