This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind each.EMPTINESS, STILLNESS, ABSENCE, GHOSTS, DOUBT: A discussion of influential artists and ideas.
","abstract_html":"<p>This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind each.EMPTINESS, STILLNESS, ABSENCE, GHOSTS, DOUBT: A discussion of influential artists and ideas.</p>","abstract_has_math":false,"creators":["Harvey, Heather"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"Painting and Printmaking","degree_department":null,"school":null,"contributors":["Ron Johnson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-01-01T08:00:00Z","date_published":"2007-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:25Z","subjects":["sacred","faith","disbelief","doubt","funny","transformation","strange","humor","secret","comical","silly","nontheism","skepticism","playful","catholic","secular","working class","philosophy","ethics","aesthetic","myth","painting","sculpture","installation","site specific","emptiness","absence","ghosts","chaos","erotic","violent","gross","mortal","corporeal","mourning","indeterminate","mystery","ambiguity","uncertainty","sensual","infrastructure","architecture","abeyance","transient","fleeting","liminal","intangible","unseen","gothic","ostranenie","uncanny","undecided","quiet","ineffable","atheism","mold","holes","decay","loss","damage","Art and Design","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1452"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1452","href":"https://scholarscompass.vcu.edu/etd/1452","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/X87A-0Y57","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Ron Johnson"]},{"key":"dc:creator","label":"Author","values":["Harvey, Heather"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Painting and Printmaking"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["sacred","faith","disbelief","doubt","funny","transformation","strange","humor","secret","comical","silly","nontheism","skepticism","playful","catholic","secular","working class","philosophy","ethics","aesthetic","myth","painting","sculpture","installation","site specific","emptiness","absence","ghosts","chaos","erotic","violent","gross","mortal","corporeal","mourning","indeterminate","mystery","ambiguity","uncertainty","sensual","infrastructure","architecture","abeyance","transient","fleeting","liminal","intangible","unseen","gothic","ostranenie","uncanny","undecided","quiet","ineffable","atheism","mold","holes","decay","loss","damage","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/X87A-0Y57","https://scholarscompass.vcu.edu/etd/1452"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind each.EMPTINESS, STILLNESS, ABSENCE, GHOSTS, DOUBT: A discussion of influential artists and ideas.
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