{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2373"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2373","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Paul Hindmith's Sonata for Clarinet and Piano: A Lecture Recital","abstract":"Paul Hindemith was one of the most distinguished composers of the twentieth century. This thesis will begin with biographical information, highlighting important events in his life. Then, in an effort to understand his compositional style and his philosophy of Gebrauchsmusik, his mastery of classical form, the Sonata for Clarinet and Piano is chosen for a detailed stylistic analysis. Treated in the analysis chapter are form, melody, harmony, rhythm, dynamic, and the technically problematic areas involved such as fingering and ensemble with piano. Hindemith's musical style is conservative in form and tonality. Tonality and melodic motives constitute the dominant force throughout the entire sonata. In the analysis of harmony in this study, Hindemith's own analytical method, which he established on acoustical phenomenon, will be employed as is necessary","abstract_html":"Paul Hindemith was one of the most distinguished composers of the twentieth century. This thesis will begin with biographical information, highlighting important events in his life. Then, in an effort to understand his compositional style and his philosophy of Gebrauchsmusik, his mastery of classical form, the Sonata for Clarinet and Piano is chosen for a detailed stylistic analysis. Treated in the analysis chapter are form, melody, harmony, rhythm, dynamic, and the technically problematic areas involved such as fingering and ensemble with piano. Hindemith's musical style is conservative in form and tonality. Tonality and melodic motives constitute the dominant force throughout the entire sonata. In the analysis of harmony in this study, Hindemith's own analytical method, which he established on acoustical phenomenon, will be employed as is necessary","abstract_has_math":false,"creators":["Yi, Chang-Su"],"institution":null,"degree_name":"Master of Music","degree_level":"Thesis","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Dr. John H. Heller Jr."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1977,"date_issued":"1977-01-01T08:00:00Z","date_published":"1977-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:14Z","subjects":["composer","Hindemith","composition","Neoclassical","linear motion","cadence","tone","Arts and Humanities","Music"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1374"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1374","href":"https://scholarscompass.vcu.edu/etd/1374","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/31RQ-XS47","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. John H. 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This thesis will begin with biographical information, highlighting important events in his life. Then, in an effort to understand his compositional style and his philosophy of Gebrauchsmusik, his mastery of classical form, the Sonata for Clarinet and Piano is chosen for a detailed stylistic analysis. Treated in the analysis chapter are form, melody, harmony, rhythm, dynamic, and the technically problematic areas involved such as fingering and ensemble with piano. Hindemith's musical style is conservative in form and tonality. Tonality and melodic motives constitute the dominant force throughout the entire sonata. In the analysis of harmony in this study, Hindemith's own analytical method, which he established on acoustical phenomenon, will be employed as is necessary"]},{"key":"dc:title","label":"Title","values":["Paul Hindmith's Sonata for Clarinet and Piano: A Lecture Recital"]}]}],"canonical_facts":{"dc:contributor":["Dr. John H. Heller Jr."],"dc:creator":["Yi, Chang-Su"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["Paul Hindemith was one of the most distinguished composers of the twentieth century. This thesis will begin with biographical information, highlighting important events in his life. Then, in an effort to understand his compositional style and his philosophy of Gebrauchsmusik, his mastery of classical form, the Sonata for Clarinet and Piano is chosen for a detailed stylistic analysis. Treated in the analysis chapter are form, melody, harmony, rhythm, dynamic, and the technically problematic areas involved such as fingering and ensemble with piano. Hindemith's musical style is conservative in form and tonality. Tonality and melodic motives constitute the dominant force throughout the entire sonata. In the analysis of harmony in this study, Hindemith's own analytical method, which he established on acoustical phenomenon, will be employed as is necessary"],"dc:identifier":["https://doi.org/10.25772/31RQ-XS47","https://scholarscompass.vcu.edu/etd/1374"],"dc:rights":["© The Author"],"dc:subject":["composer","Hindemith","composition","Neoclassical","linear motion","cadence","tone","Arts and Humanities","Music"],"dc:title":["Paul Hindmith's Sonata for Clarinet and Piano: A Lecture Recital"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Music"]},"updated_at":"2026-07-24T05:55:14Z"}