{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2359"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2359","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"THE AWW","abstract":"<p>Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilates the banal subjects into a formal framework. The subjects are monumentalized and romanticized in order to question, not the importance of the objects, but the relevance of the sublime.</p>","abstract_html":"&lt;p&gt;Jessica Langley&#x27;s work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilates the banal subjects into a formal framework. The subjects are monumentalized and romanticized in order to question, not the importance of the objects, but the relevance of the sublime.&lt;/p&gt;","abstract_has_math":false,"creators":["Langley, Jessica Danielle"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Painting and Printmaking","degree_department":null,"school":null,"contributors":["Holly Morrison"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-01-01T08:00:00Z","date_published":"2008-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:14Z","subjects":["humor","airbrush","American","kitsch","Hudson River School","monumental","banal","romantic","drawing","cat towers","painting","the aww","aura","Art and Design","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1360"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1360","href":"https://scholarscompass.vcu.edu/etd/1360","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/32H2-T506","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Holly Morrison"]},{"key":"dc:creator","label":"Author","values":["Langley, Jessica Danielle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Painting and Printmaking"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["humor","airbrush","American","kitsch","Hudson River School","monumental","banal","romantic","drawing","cat towers","painting","the aww","aura","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/32H2-T506","https://scholarscompass.vcu.edu/etd/1360"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilates the banal subjects into a formal framework. The subjects are monumentalized and romanticized in order to question, not the importance of the objects, but the relevance of the sublime.</p>"]},{"key":"dc:title","label":"Title","values":["THE AWW"]}]}],"canonical_facts":{"dc:contributor":["Holly Morrison"],"dc:creator":["Langley, Jessica Danielle"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["<p>Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilates the banal subjects into a formal framework. The subjects are monumentalized and romanticized in order to question, not the importance of the objects, but the relevance of the sublime.</p>"],"dc:identifier":["https://doi.org/10.25772/32H2-T506","https://scholarscompass.vcu.edu/etd/1360"],"dc:rights":["© The Author"],"dc:subject":["humor","airbrush","American","kitsch","Hudson River School","monumental","banal","romantic","drawing","cat towers","painting","the aww","aura","Art and Design","Arts and Humanities"],"dc:title":["THE AWW"],"thesis:degree_discipline":["Painting and Printmaking"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:55:14Z"}