{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2314"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2314","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"The Possibilities of Sort Of","abstract":"Simultaneity and conflict are incessant qualities one is confronted with when looking at things. Shifting from familiar to foreign, from present to implied. There seems to be a tendency, if not necessity to embrace this multiplicity. Using the film theory construct of extra-diegetic and relative qualifier 'sort of' to investigate Pulp Fiction, Bose Wave CD player, Sunset Boulevard, American Apparel, and The Uncanny.","abstract_html":"Simultaneity and conflict are incessant qualities one is confronted with when looking at things. Shifting from familiar to foreign, from present to implied. There seems to be a tendency, if not necessity to embrace this multiplicity. Using the film theory construct of extra-diegetic and relative qualifier 'sort of' to investigate Pulp Fiction, Bose Wave CD player, Sunset Boulevard, American Apparel, and The Uncanny.","abstract_has_math":false,"creators":["Robinson, Jesse"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Sculpture + Extended Media","degree_department":null,"school":null,"contributors":["Michael Jones McKean"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-01-01T08:00:00Z","date_published":"2008-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:14Z","subjects":["Marcel Duchamp","Bose","American Apparel","Pulp Fiction","extra-diegetic","diegesis","Sunset Boulevard","Art and Design","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1315"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1315","href":"https://scholarscompass.vcu.edu/etd/1315","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/FVSQ-T941","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Michael Jones McKean"]},{"key":"dc:creator","label":"Author","values":["Robinson, Jesse"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Sculpture + Extended Media"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Marcel Duchamp","Bose","American Apparel","Pulp Fiction","extra-diegetic","diegesis","Sunset Boulevard","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/FVSQ-T941","https://scholarscompass.vcu.edu/etd/1315"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Simultaneity and conflict are incessant qualities one is confronted with when looking at things. Shifting from familiar to foreign, from present to implied. There seems to be a tendency, if not necessity to embrace this multiplicity. Using the film theory construct of extra-diegetic and relative qualifier 'sort of' to investigate Pulp Fiction, Bose Wave CD player, Sunset Boulevard, American Apparel, and The Uncanny."]},{"key":"dc:title","label":"Title","values":["The Possibilities of Sort Of"]}]}],"canonical_facts":{"dc:contributor":["Michael Jones McKean"],"dc:creator":["Robinson, Jesse"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["Simultaneity and conflict are incessant qualities one is confronted with when looking at things. Shifting from familiar to foreign, from present to implied. There seems to be a tendency, if not necessity to embrace this multiplicity. Using the film theory construct of extra-diegetic and relative qualifier 'sort of' to investigate Pulp Fiction, Bose Wave CD player, Sunset Boulevard, American Apparel, and The Uncanny."],"dc:identifier":["https://doi.org/10.25772/FVSQ-T941","https://scholarscompass.vcu.edu/etd/1315"],"dc:rights":["© The Author"],"dc:subject":["Marcel Duchamp","Bose","American Apparel","Pulp Fiction","extra-diegetic","diegesis","Sunset Boulevard","Art and Design","Arts and Humanities"],"dc:title":["The Possibilities of Sort Of"],"thesis:degree_discipline":["Sculpture + Extended Media"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:55:14Z"}