{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2294"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2294","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Des Perdues: The Precariousness of Loss","abstract":"The majority of losses that take place in a day are not large, or sad, they are built almost entirely on behaviors and systems that have nothing to do with loss. Most of these, I discovered, are the result of deliberate carelessness. The word loss is as difficult to define as truth, but its variation is what makes it so interesting and evocative. It is not, and never has been, a definition of loss that I seek: it is not enough to simply say I lost this person or that place, we must consider what is left and what can still be lost. I am interested in the moments of transition that surround loss, when something is in danger of disappearing yet is not quite gone; this work focuses not on past losses, but future moments to be preserved. There is beauty and humanity that can be revealed in fugitive moments and events, and value in their documentation.","abstract_html":"The majority of losses that take place in a day are not large, or sad, they are built almost entirely on behaviors and systems that have nothing to do with loss. Most of these, I discovered, are the result of deliberate carelessness. The word loss is as difficult to define as truth, but its variation is what makes it so interesting and evocative. It is not, and never has been, a definition of loss that I seek: it is not enough to simply say I lost this person or that place, we must consider what is left and what can still be lost. I am interested in the moments of transition that surround loss, when something is in danger of disappearing yet is not quite gone; this work focuses not on past losses, but future moments to be preserved. There is beauty and humanity that can be revealed in fugitive moments and events, and value in their documentation.","abstract_has_math":false,"creators":["Davis, Alissa Grace"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Craft/Material Studies","degree_department":null,"school":null,"contributors":["Susan Iverson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-01-01T08:00:00Z","date_published":"2008-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:08Z","subjects":["proof","evidence","documentation","residential","photography","residue","loss","Art and Design","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1295"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1295","href":"https://scholarscompass.vcu.edu/etd/1295","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/AHY5-A284","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Susan Iverson"]},{"key":"dc:creator","label":"Author","values":["Davis, Alissa Grace"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Craft/Material Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["proof","evidence","documentation","residential","photography","residue","loss","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/AHY5-A284","https://scholarscompass.vcu.edu/etd/1295"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The majority of losses that take place in a day are not large, or sad, they are built almost entirely on behaviors and systems that have nothing to do with loss. Most of these, I discovered, are the result of deliberate carelessness. The word loss is as difficult to define as truth, but its variation is what makes it so interesting and evocative. It is not, and never has been, a definition of loss that I seek: it is not enough to simply say I lost this person or that place, we must consider what is left and what can still be lost. I am interested in the moments of transition that surround loss, when something is in danger of disappearing yet is not quite gone; this work focuses not on past losses, but future moments to be preserved. There is beauty and humanity that can be revealed in fugitive moments and events, and value in their documentation."]},{"key":"dc:title","label":"Title","values":["Des Perdues: The Precariousness of Loss"]}]}],"canonical_facts":{"dc:contributor":["Susan Iverson"],"dc:creator":["Davis, Alissa Grace"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["The majority of losses that take place in a day are not large, or sad, they are built almost entirely on behaviors and systems that have nothing to do with loss. Most of these, I discovered, are the result of deliberate carelessness. The word loss is as difficult to define as truth, but its variation is what makes it so interesting and evocative. It is not, and never has been, a definition of loss that I seek: it is not enough to simply say I lost this person or that place, we must consider what is left and what can still be lost. I am interested in the moments of transition that surround loss, when something is in danger of disappearing yet is not quite gone; this work focuses not on past losses, but future moments to be preserved. There is beauty and humanity that can be revealed in fugitive moments and events, and value in their documentation."],"dc:identifier":["https://doi.org/10.25772/AHY5-A284","https://scholarscompass.vcu.edu/etd/1295"],"dc:rights":["© The Author"],"dc:subject":["proof","evidence","documentation","residential","photography","residue","loss","Art and Design","Arts and Humanities"],"dc:title":["Des Perdues: The Precariousness of Loss"],"thesis:degree_discipline":["Craft/Material Studies"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:55:08Z"}