{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2287"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2287","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Moritz Oppenheim, the Rothschilds, and the Construction of Jewish Identity","abstract":"This thesis provides an overview of Moritz Daniel Oppenheim's portraits of the Rothschild family with attention paid to the artist's training and personal artistic pursuits, as well as participation in Gentile and Jewish discourses. Oppenheim's knowledge of art history and use of style in creating the identities of his Rothschild subjects are the focus of this study. Oppenheim's methods and use of art historical styles are discussed with deference to the public or private nature of the portraits, and the resulting works' engagement of both German and Jewish issues. Methodologies used include the history of style and identity theory.","abstract_html":"This thesis provides an overview of Moritz Daniel Oppenheim&#x27;s portraits of the Rothschild family with attention paid to the artist&#x27;s training and personal artistic pursuits, as well as participation in Gentile and Jewish discourses. Oppenheim&#x27;s knowledge of art history and use of style in creating the identities of his Rothschild subjects are the focus of this study. Oppenheim&#x27;s methods and use of art historical styles are discussed with deference to the public or private nature of the portraits, and the resulting works&#x27; engagement of both German and Jewish issues. Methodologies used include the history of style and identity theory.","abstract_has_math":false,"creators":["Dodd, Everett Eugene, III"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Dr. Eric Garberson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-01-01T08:00:00Z","date_published":"2006-01-01T08:00:00Z","updated_at":"2026-07-24T05:55:08Z","subjects":["Biedermeier artist","merchant class","Deutschheit","art history","portrait","painting","Germany","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1288"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1288","href":"https://scholarscompass.vcu.edu/etd/1288","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/CVDC-MY21","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Eric Garberson"]},{"key":"dc:creator","label":"Author","values":["Dodd, Everett Eugene, III"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Biedermeier artist","merchant class","Deutschheit","art history","portrait","painting","Germany","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/CVDC-MY21","https://scholarscompass.vcu.edu/etd/1288"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis provides an overview of Moritz Daniel Oppenheim's portraits of the Rothschild family with attention paid to the artist's training and personal artistic pursuits, as well as participation in Gentile and Jewish discourses. Oppenheim's knowledge of art history and use of style in creating the identities of his Rothschild subjects are the focus of this study. Oppenheim's methods and use of art historical styles are discussed with deference to the public or private nature of the portraits, and the resulting works' engagement of both German and Jewish issues. Methodologies used include the history of style and identity theory."]},{"key":"dc:title","label":"Title","values":["Moritz Oppenheim, the Rothschilds, and the Construction of Jewish Identity"]}]}],"canonical_facts":{"dc:contributor":["Dr. Eric Garberson"],"dc:creator":["Dodd, Everett Eugene, III"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["This thesis provides an overview of Moritz Daniel Oppenheim's portraits of the Rothschild family with attention paid to the artist's training and personal artistic pursuits, as well as participation in Gentile and Jewish discourses. 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