Abstract
dc:description.abstractWithin this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Sculpture
- Year dc:date.available
- 2004
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Caverly, Brian
- Contributors dc:contributor
-
- Dr. Elizabeth King
Subjects
dc:subject × 6Rights
dc:rights- Statement dc:rights
-
- © The Author
Identifiers
dc:identifier.*- Identifier
- https://scholarscompass.vcu.edu/etd/1237
- OAI identifier oai:identifier
- oai:scholarscompass.vcu.edu:etd-2236