This body of work, representing the past two years, is focused on the idea of the composite landscape. This reconfiguring of the elements from the external world combined with invented places is a way for me to articulate the subtle transactions between the interior psyche and the external world. The way this new conglomerate space is represented is a result of my inquiry into the relationship between nature, culture, and the sublime. The place where the private acts of the studio meet the shared exterior world is where I find my intellect, fantasy, and sense of reality collaborating in chorus.
","abstract_html":"<p>This body of work, representing the past two years, is focused on the idea of the composite landscape. This reconfiguring of the elements from the external world combined with invented places is a way for me to articulate the subtle transactions between the interior psyche and the external world. The way this new conglomerate space is represented is a result of my inquiry into the relationship between nature, culture, and the sublime. The place where the private acts of the studio meet the shared exterior world is where I find my intellect, fantasy, and sense of reality collaborating in chorus.</p>","abstract_has_math":false,"creators":["Becker, Saul Benjamin"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Painting and Printmaking","degree_department":null,"school":null,"contributors":["Richard Roth"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-01-01T08:00:00Z","date_published":"2006-01-01T08:00:00Z","updated_at":"2026-07-24T05:54:53Z","subjects":["Sublime","Landscape","Painting","Place","Composite","Heterotopia","Art and Design","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1206"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1206","href":"https://scholarscompass.vcu.edu/etd/1206","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/8GK9-N320","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard Roth"]},{"key":"dc:creator","label":"Author","values":["Becker, Saul Benjamin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Painting and Printmaking"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Sublime","Landscape","Painting","Place","Composite","Heterotopia","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/8GK9-N320","https://scholarscompass.vcu.edu/etd/1206"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This body of work, representing the past two years, is focused on the idea of the composite landscape. This reconfiguring of the elements from the external world combined with invented places is a way for me to articulate the subtle transactions between the interior psyche and the external world. The way this new conglomerate space is represented is a result of my inquiry into the relationship between nature, culture, and the sublime. The place where the private acts of the studio meet the shared exterior world is where I find my intellect, fantasy, and sense of reality collaborating in chorus.
"]},{"key":"dc:title","label":"Title","values":["The Oldest Well"]}]}],"canonical_facts":{"dc:contributor":["Richard Roth"],"dc:creator":["Becker, Saul Benjamin"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["This body of work, representing the past two years, is focused on the idea of the composite landscape. This reconfiguring of the elements from the external world combined with invented places is a way for me to articulate the subtle transactions between the interior psyche and the external world. The way this new conglomerate space is represented is a result of my inquiry into the relationship between nature, culture, and the sublime. The place where the private acts of the studio meet the shared exterior world is where I find my intellect, fantasy, and sense of reality collaborating in chorus.
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