{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-2111"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-2111","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"David Gilmour Blythe's Street Urchins and American Nativism","abstract":"David Gilmour Blythe's street urchin paintings created during the 1850s are disturbing and often grotesque. The image of childhood that he created was quite different from that of his American contemporaries who adapted the romantic notion of the child from eighteenth-century English painters. Previous scholars have noted the contrast between Blythe's vision of America's street children and the optimistic view offered by other American painters but have not offered a sufficient explanation as to why they differed so radically. This thesis will examine several of Blythe's urchin scenes, as well as his poetry and writings to reveal the clear presence of anti-immigrant sentiment in his painting. Such an analysis will posit Blythe's political beliefs about immigration as a plausible explanation for his peculiar view of the children who occupied Pittsburgh's streets.","abstract_html":"David Gilmour Blythe's street urchin paintings created during the 1850s are disturbing and often grotesque. The image of childhood that he created was quite different from that of his American contemporaries who adapted the romantic notion of the child from eighteenth-century English painters. Previous scholars have noted the contrast between Blythe's vision of America's street children and the optimistic view offered by other American painters but have not offered a sufficient explanation as to why they differed so radically. This thesis will examine several of Blythe's urchin scenes, as well as his poetry and writings to reveal the clear presence of anti-immigrant sentiment in his painting. Such an analysis will posit Blythe's political beliefs about immigration as a plausible explanation for his peculiar view of the children who occupied Pittsburgh's streets.","abstract_has_math":false,"creators":["Piper, Corey S."],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Dr. Eric Garberson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-01-01T08:00:00Z","date_published":"2006-01-01T08:00:00Z","updated_at":"2026-07-24T05:54:53Z","subjects":["children","immigrant","American art","Know Nothing Party","painting","nineteenth century","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/1112"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/1112","href":"https://scholarscompass.vcu.edu/etd/1112","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/NKR8-A959","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Eric Garberson"]},{"key":"dc:creator","label":"Author","values":["Piper, Corey S."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["children","immigrant","American art","Know Nothing Party","painting","nineteenth century","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/NKR8-A959","https://scholarscompass.vcu.edu/etd/1112"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["David Gilmour Blythe's street urchin paintings created during the 1850s are disturbing and often grotesque. The image of childhood that he created was quite different from that of his American contemporaries who adapted the romantic notion of the child from eighteenth-century English painters. Previous scholars have noted the contrast between Blythe's vision of America's street children and the optimistic view offered by other American painters but have not offered a sufficient explanation as to why they differed so radically. This thesis will examine several of Blythe's urchin scenes, as well as his poetry and writings to reveal the clear presence of anti-immigrant sentiment in his painting. Such an analysis will posit Blythe's political beliefs about immigration as a plausible explanation for his peculiar view of the children who occupied Pittsburgh's streets."]},{"key":"dc:title","label":"Title","values":["David Gilmour Blythe's Street Urchins and American Nativism"]}]}],"canonical_facts":{"dc:contributor":["Dr. Eric Garberson"],"dc:creator":["Piper, Corey S."],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["David Gilmour Blythe's street urchin paintings created during the 1850s are disturbing and often grotesque. The image of childhood that he created was quite different from that of his American contemporaries who adapted the romantic notion of the child from eighteenth-century English painters. Previous scholars have noted the contrast between Blythe's vision of America's street children and the optimistic view offered by other American painters but have not offered a sufficient explanation as to why they differed so radically. This thesis will examine several of Blythe's urchin scenes, as well as his poetry and writings to reveal the clear presence of anti-immigrant sentiment in his painting. Such an analysis will posit Blythe's political beliefs about immigration as a plausible explanation for his peculiar view of the children who occupied Pittsburgh's streets."],"dc:identifier":["https://doi.org/10.25772/NKR8-A959","https://scholarscompass.vcu.edu/etd/1112"],"dc:rights":["© The Author"],"dc:subject":["children","immigrant","American art","Know Nothing Party","painting","nineteenth century","Arts and Humanities"],"dc:title":["David Gilmour Blythe's Street Urchins and American Nativism"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T05:54:53Z"}