Abstract
dc:description.abstractThis thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Sculpture
- Year dc:date.available
- 2006
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Torres, Alessandra Lee Michelle
Subjects
dc:subject × 7Rights
dc:rights- Statement dc:rights
-
- © The Author
Identifiers
dc:identifier.*- Identifier
- https://scholarscompass.vcu.edu/etd/793
- OAI identifier oai:identifier
- oai:scholarscompass.vcu.edu:etd-1792