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Virginia Commonwealth University

Gershwin's Fascinating Rhythm: The Rise of the Jazz Musical

Abstract

dc:description.abstract

The shift in the American economic viewpoint before and after World War I left an indelible mark on the arts, allowing the only indigenous music to arise, jazz. In the transitory period following the war, it was George Gershwin who paved the way for jazz to become America's only indigenous music. Yet, the current definition of jazz is so racially polarized that it has lost focus on the music. This work explores George Gershwin's role in creating a jazz culture in a xenophobic country and argues for an inclusive definition of jazz, one based on the music itself.

Degree

thesis:*
Name thesis:degree_name
Master of Fine Arts
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Theatre
Year dc:date.available
2008

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Baumgartner, Amy C
Contributors dc:contributor
  • Dr. Noreen C. Barnes

Subjects

dc:subject × 6

Rights

dc:rights
Statement dc:rights
  • © The Author

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:scholarscompass.vcu.edu:etd-1683

Chain of custody

source
Harvested from
Virginia Commonwealth University
Base URL
scholarscompass.vcu.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Baumgartner, Amy C. Gershwin's Fascinating Rhythm: The Rise of the Jazz Musical. Thesis thesis, 2008. https://doi.org/10.25772/ZKCP-DC10