{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1601"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1601","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"The Inspiration of Imogene Coca: A Biography and Original Musical","abstract":"Imogene Coca was a pioneer of comedy for women on stage and television. Her career in performance spanned the twentieth century. In the 1950s she was known as America’s funnyfaced little imp and “Imogene Coca” was a household name. Today that name is getting lost amidst a sea of male clowns and her funny faces are nearly forgotten. Imogene’s contributions to theatre, television, and comedy are too important to forget. This thesis includes a biography of her work in vaudeville, Broadway, television, and film, and an original musical inspired by that body of work. Coca’s comedy is timeless and the next generation deserves an opportunity to know her.","abstract_html":"Imogene Coca was a pioneer of comedy for women on stage and television. Her career in performance spanned the twentieth century. In the 1950s she was known as America’s funnyfaced little imp and “Imogene Coca” was a household name. Today that name is getting lost amidst a sea of male clowns and her funny faces are nearly forgotten. Imogene’s contributions to theatre, television, and comedy are too important to forget. This thesis includes a biography of her work in vaudeville, Broadway, television, and film, and an original musical inspired by that body of work. Coca’s comedy is timeless and the next generation deserves an opportunity to know her.","abstract_has_math":false,"creators":["Guida, Marisa"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Theatre","degree_department":null,"school":null,"contributors":["Noreen Barnes"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-04-14T07:00:00Z","date_published":"2014-04-14T07:00:00Z","updated_at":"2026-07-24T05:54:11Z","subjects":["Imogene","Coca","Arts and Humanities","Theatre and Performance Studies"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/602"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/602","href":"https://scholarscompass.vcu.edu/etd/602","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/5JP9-MK79","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Noreen Barnes"]},{"key":"dc:creator","label":"Author","values":["Guida, Marisa"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-05-12T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Imogene","Coca","Arts and Humanities","Theatre and Performance Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/5JP9-MK79","https://scholarscompass.vcu.edu/etd/602"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Imogene Coca was a pioneer of comedy for women on stage and television. Her career in performance spanned the twentieth century. In the 1950s she was known as America’s funnyfaced little imp and “Imogene Coca” was a household name. Today that name is getting lost amidst a sea of male clowns and her funny faces are nearly forgotten. Imogene’s contributions to theatre, television, and comedy are too important to forget. This thesis includes a biography of her work in vaudeville, Broadway, television, and film, and an original musical inspired by that body of work. Coca’s comedy is timeless and the next generation deserves an opportunity to know her."]},{"key":"dc:title","label":"Title","values":["The Inspiration of Imogene Coca: A Biography and Original Musical"]}]}],"canonical_facts":{"dc:contributor":["Noreen Barnes"],"dc:creator":["Guida, Marisa"],"dc:date.available":["2019-05-12T07:00:00Z"],"dc:description.abstract":["Imogene Coca was a pioneer of comedy for women on stage and television. Her career in performance spanned the twentieth century. In the 1950s she was known as America’s funnyfaced little imp and “Imogene Coca” was a household name. Today that name is getting lost amidst a sea of male clowns and her funny faces are nearly forgotten. Imogene’s contributions to theatre, television, and comedy are too important to forget. This thesis includes a biography of her work in vaudeville, Broadway, television, and film, and an original musical inspired by that body of work. Coca’s comedy is timeless and the next generation deserves an opportunity to know her."],"dc:identifier":["https://doi.org/10.25772/5JP9-MK79","https://scholarscompass.vcu.edu/etd/602"],"dc:rights":["© The Author"],"dc:subject":["Imogene","Coca","Arts and Humanities","Theatre and Performance Studies"],"dc:title":["The Inspiration of Imogene Coca: A Biography and Original Musical"],"thesis:degree_discipline":["Theatre"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:54:11Z"}