{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1575"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1575","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"The Development and Gentrification of Musical Commerce in Williamsburg, Virginia, 1716-1775","abstract":"This thesis explores the burgeoning musical commerce industry in Williamsburg, Virginia between approximately 1716 to 1775. It especially focuses on the gentrification of this industry and the ways in which elite Virginians made use of music to establish themselves as inheritors of British culture and musical entertainment. A diversity of musical businesses appeared in Williamsburg during the eighteenth century, including instrument sellers, music and dancing teachers, and two theaters utilized by theatrical troupes, to name a few. Drawing on evidence from the Virginia Gazette, as well as journals, letters, playhouse reports, and account books, the thesis concludes that music provided an important means for the formation of an elite colonial identity in a time and place heavily influenced by an American consumer revolution and a desire for refinement.","abstract_html":"This thesis explores the burgeoning musical commerce industry in Williamsburg, Virginia between approximately 1716 to 1775. It especially focuses on the gentrification of this industry and the ways in which elite Virginians made use of music to establish themselves as inheritors of British culture and musical entertainment. A diversity of musical businesses appeared in Williamsburg during the eighteenth century, including instrument sellers, music and dancing teachers, and two theaters utilized by theatrical troupes, to name a few. Drawing on evidence from the Virginia Gazette, as well as journals, letters, playhouse reports, and account books, the thesis concludes that music provided an important means for the formation of an elite colonial identity in a time and place heavily influenced by an American consumer revolution and a desire for refinement.","abstract_has_math":false,"creators":["LeHuray, Joshua R."],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"History","degree_department":null,"school":null,"contributors":["Carolyn Eastman"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-12-04T08:00:00Z","date_published":"2013-12-04T08:00:00Z","updated_at":"2026-07-24T05:54:11Z","subjects":["Music Williamsburg Gentry Gentrification Virginia Industry Commerce","Arts and Humanities","History"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/576"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/576","href":"https://scholarscompass.vcu.edu/etd/576","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/YHDT-DX74","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Carolyn Eastman"]},{"key":"dc:creator","label":"Author","values":["LeHuray, Joshua R."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-12-17T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music Williamsburg Gentry Gentrification Virginia Industry Commerce","Arts and Humanities","History"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/YHDT-DX74","https://scholarscompass.vcu.edu/etd/576"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis explores the burgeoning musical commerce industry in Williamsburg, Virginia between approximately 1716 to 1775. It especially focuses on the gentrification of this industry and the ways in which elite Virginians made use of music to establish themselves as inheritors of British culture and musical entertainment. A diversity of musical businesses appeared in Williamsburg during the eighteenth century, including instrument sellers, music and dancing teachers, and two theaters utilized by theatrical troupes, to name a few. Drawing on evidence from the Virginia Gazette, as well as journals, letters, playhouse reports, and account books, the thesis concludes that music provided an important means for the formation of an elite colonial identity in a time and place heavily influenced by an American consumer revolution and a desire for refinement."]},{"key":"dc:title","label":"Title","values":["The Development and Gentrification of Musical Commerce in Williamsburg, Virginia, 1716-1775"]}]}],"canonical_facts":{"dc:contributor":["Carolyn Eastman"],"dc:creator":["LeHuray, Joshua R."],"dc:date.available":["2018-12-17T08:00:00Z"],"dc:description.abstract":["This thesis explores the burgeoning musical commerce industry in Williamsburg, Virginia between approximately 1716 to 1775. It especially focuses on the gentrification of this industry and the ways in which elite Virginians made use of music to establish themselves as inheritors of British culture and musical entertainment. A diversity of musical businesses appeared in Williamsburg during the eighteenth century, including instrument sellers, music and dancing teachers, and two theaters utilized by theatrical troupes, to name a few. Drawing on evidence from the Virginia Gazette, as well as journals, letters, playhouse reports, and account books, the thesis concludes that music provided an important means for the formation of an elite colonial identity in a time and place heavily influenced by an American consumer revolution and a desire for refinement."],"dc:identifier":["https://doi.org/10.25772/YHDT-DX74","https://scholarscompass.vcu.edu/etd/576"],"dc:rights":["© The Author"],"dc:subject":["Music Williamsburg Gentry Gentrification Virginia Industry Commerce","Arts and Humanities","History"],"dc:title":["The Development and Gentrification of Musical Commerce in Williamsburg, Virginia, 1716-1775"],"thesis:degree_discipline":["History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T05:54:11Z"}